Yoon Ji-kun, born in Busan, South Korea in 1969, is a Korean screenwriter and director, and graduated from the Department of Economics of Goryeo University.
In 1999, Yoon Ji-jun won the script public offering exhibition award hosted by TAECHANGEnterprise for writing the script of the thriller comedy "The Body and Soul Travel", thus entering the film industry; in 2001, he directed the film debut "The Head Master One"; in 2002, he directed the love comedy "Sex is Empty", which caused a response among young audiences and has been regarded as the top five super-master work in the box office of Korean pornographic films.
This year, he directed the first disaster film in South Korea, "Haiyuntai". The film was released for 33 days, with the number of viewers exceeding 10 million, becoming the fifth work in Korean film history with a box office of more than 10 million. Yoon Ji-jun won the final award for the 46th Korean Baeksang Art Awards.
So this is really just a porn director?
Not all porn directors, but compared to ordinary movies, this guy has higher attainments in the field of youth porn, and has achieved great success in the 19th banned field. He is considered an outstanding representative of the new generation of Korean directors.
Are you still a new generation at the age of fifty?Forget it, since you agree, then go and take a look.By the way, this guy really has investment value?
Found that this is really a blind spot for Ye Yu's knowledge. Keiko Takeda, who was sitting in the back seat of the nanny car with him, patiently explained: Adult movies that are prohibited by 18 and 19 can be released directly outside of China, including Hong Kong, and the investment returns are high, especially in the disc rental market, which is even far beyond some so-called Hollywood blockbusters.
If it is an ordinary Hollywood blockbuster, the box office revenue only accounts for about 40% of the overall revenue. For some classic porn films with high quality and market recognition, the box office revenue may be less than 10%.
A porn film with a box office of only 10 million US dollars may actually have an actual income of up to hundreds of millions of dollars. Therefore, such powerful directors who can produce very popular porn films are very recognized by the market and film companies. They are the pillars of many large companies and the most stable money-making machine.
Unless you can create high-quality scripts like "My Savage Girlfriend", in most cases, it can only be a normal business model. Such a powerful director is a very important puzzle, especially for future SMs.
The so-called 19 ban is actually a feature of the Korean entertainment industry. Because the Koreans are considered to be a false age, it is normal forbidden to watch at the age of 18. When you go to South Korea, it becomes 19 ban.
As for the reasons for the ban, it may be not only bloody, violent, erotic and other elements. Too much swearing, subtle feelings of the characters, or scenes that cause discomfort in the audience may be banned.
However, the most common ones are some pornographic films, and the biggest highlight of these pornographic films is naturally those beautiful stars. Because of some characteristics of the Korean entertainment industry, the star-making model is too mature, so a large number of newcomers emerge every year. In addition, the market audience is limited, which has led to the rapid update of the Korean entertainment industry, almost three years, which is very different from the ten years of domestic and Chinese entertainment.
So today, this female celebrity and female idol may still be very popular, but one or two years later, she may not have a place in the entertainment industry, and she has become a yellow flower yesterday.
Economic companies and film companies are very realistic. The purpose of signing you is to make money. Since you cannot make money for the company through normal economic affairs, you can only make money for the company through other means. You can't just support you in vain, right?
But not every new actor wants to be a chicken, go to the sea to serve those old men, and even be played by father and son. Therefore, pornographic films are a good choice. Just like the Hong Kong circle in the past, becoming famous may not be a good way out.
So under the persuasion of economic companies and agents, some artists are about to get out of date when they enter the bottleneck period and completely disappear in the circle. They directly make up their minds and choose to become famous and go to film pornographic films.
For film companies, this model naturally injects fresh blood into pornographic films. After all, a large part of the success or failure of pornographic films are seen by the appearance of important supporting actresses. They don’t need to have too good acting skills. They can still be very popular even if they are beautiful and sexy enough.
For economic companies, this is another way to squeeze artists. If you really want to get rid of the fame and make a comeback by making pornographic films, it naturally means that during the contract period, economic companies can earn more generous profits from contracted artists and continue to squeeze them.
If you still can't become famous, it means you have no life and will be like this in your life. You can naturally bully it to death. You are not afraid of your salty fish turning over. You just want to take on some of the most lewd and cheap jobs and make money and resources for the company with your own body.
This is a capitalist society where everything looks at money. Human nature is not as important as money interests. Therefore, in the Japanese and Korean circles, movie bosses who truly understand the situation do not shy away from talking about such a business. Takeda Keiko, who has already regarded SM as part of their Korean strategy, directly screened out Yoon Ji-jun, a new generation director who may soon be a big hit.
Not only can you successfully control ordinary themes, but also some pornographic adult movies can be easily controlled. Such directors are treasures. Normal movies can invest in you, but if a normal movie fails, you have to make one or two pornographic movies to make up for the company's losses.
At the same time, what SM lacks the most is that it has not made a fortune and has become outdated for three years. Many of them are handsome men and beautiful women. Most of them are unsuccessful in their transformation and cannot continue to be idols and fan circles. So letting them shoot pornographic films to try this transformation is definitely very beneficial to the company's future development. After all, the market for such pornographic films is actually very large, not only in South Korea, but also in mainland China, accidents are considered potential markets.
Ye Yu followed his assistant to the set to watch the live exercises of Director Yin up close to see his condition.
In 1999, Yoon Ji-jun won the script public offering exhibition award hosted by TAECHANGEnterprise for writing the script of the thriller comedy "The Body and Soul Travel", thus entering the film industry; in 2001, he directed the film debut "The Head Master One"; in 2002, he directed the love comedy "Sex is Empty", which caused a response among young audiences and has been regarded as the top five super-master work in the box office of Korean pornographic films.
This year, he directed the first disaster film in South Korea, "Haiyuntai". The film was released for 33 days, with the number of viewers exceeding 10 million, becoming the fifth work in Korean film history with a box office of more than 10 million. Yoon Ji-jun won the final award for the 46th Korean Baeksang Art Awards.
So this is really just a porn director?
Not all porn directors, but compared to ordinary movies, this guy has higher attainments in the field of youth porn, and has achieved great success in the 19th banned field. He is considered an outstanding representative of the new generation of Korean directors.
Are you still a new generation at the age of fifty?Forget it, since you agree, then go and take a look.By the way, this guy really has investment value?
Found that this is really a blind spot for Ye Yu's knowledge. Keiko Takeda, who was sitting in the back seat of the nanny car with him, patiently explained: Adult movies that are prohibited by 18 and 19 can be released directly outside of China, including Hong Kong, and the investment returns are high, especially in the disc rental market, which is even far beyond some so-called Hollywood blockbusters.
If it is an ordinary Hollywood blockbuster, the box office revenue only accounts for about 40% of the overall revenue. For some classic porn films with high quality and market recognition, the box office revenue may be less than 10%.
A porn film with a box office of only 10 million US dollars may actually have an actual income of up to hundreds of millions of dollars. Therefore, such powerful directors who can produce very popular porn films are very recognized by the market and film companies. They are the pillars of many large companies and the most stable money-making machine.
Unless you can create high-quality scripts like "My Savage Girlfriend", in most cases, it can only be a normal business model. Such a powerful director is a very important puzzle, especially for future SMs.
The so-called 19 ban is actually a feature of the Korean entertainment industry. Because the Koreans are considered to be a false age, it is normal forbidden to watch at the age of 18. When you go to South Korea, it becomes 19 ban.
As for the reasons for the ban, it may be not only bloody, violent, erotic and other elements. Too much swearing, subtle feelings of the characters, or scenes that cause discomfort in the audience may be banned.
However, the most common ones are some pornographic films, and the biggest highlight of these pornographic films is naturally those beautiful stars. Because of some characteristics of the Korean entertainment industry, the star-making model is too mature, so a large number of newcomers emerge every year. In addition, the market audience is limited, which has led to the rapid update of the Korean entertainment industry, almost three years, which is very different from the ten years of domestic and Chinese entertainment.
So today, this female celebrity and female idol may still be very popular, but one or two years later, she may not have a place in the entertainment industry, and she has become a yellow flower yesterday.
Economic companies and film companies are very realistic. The purpose of signing you is to make money. Since you cannot make money for the company through normal economic affairs, you can only make money for the company through other means. You can't just support you in vain, right?
But not every new actor wants to be a chicken, go to the sea to serve those old men, and even be played by father and son. Therefore, pornographic films are a good choice. Just like the Hong Kong circle in the past, becoming famous may not be a good way out.
So under the persuasion of economic companies and agents, some artists are about to get out of date when they enter the bottleneck period and completely disappear in the circle. They directly make up their minds and choose to become famous and go to film pornographic films.
For film companies, this model naturally injects fresh blood into pornographic films. After all, a large part of the success or failure of pornographic films are seen by the appearance of important supporting actresses. They don’t need to have too good acting skills. They can still be very popular even if they are beautiful and sexy enough.
For economic companies, this is another way to squeeze artists. If you really want to get rid of the fame and make a comeback by making pornographic films, it naturally means that during the contract period, economic companies can earn more generous profits from contracted artists and continue to squeeze them.
If you still can't become famous, it means you have no life and will be like this in your life. You can naturally bully it to death. You are not afraid of your salty fish turning over. You just want to take on some of the most lewd and cheap jobs and make money and resources for the company with your own body.
This is a capitalist society where everything looks at money. Human nature is not as important as money interests. Therefore, in the Japanese and Korean circles, movie bosses who truly understand the situation do not shy away from talking about such a business. Takeda Keiko, who has already regarded SM as part of their Korean strategy, directly screened out Yoon Ji-jun, a new generation director who may soon be a big hit.
Not only can you successfully control ordinary themes, but also some pornographic adult movies can be easily controlled. Such directors are treasures. Normal movies can invest in you, but if a normal movie fails, you have to make one or two pornographic movies to make up for the company's losses.
At the same time, what SM lacks the most is that it has not made a fortune and has become outdated for three years. Many of them are handsome men and beautiful women. Most of them are unsuccessful in their transformation and cannot continue to be idols and fan circles. So letting them shoot pornographic films to try this transformation is definitely very beneficial to the company's future development. After all, the market for such pornographic films is actually very large, not only in South Korea, but also in mainland China, accidents are considered potential markets.
Ye Yu followed his assistant to the set to watch the live exercises of Director Yin up close to see his condition.