Li Xiuman, who had just dealt with the official of the Ministry of Culture, has now brought together several important senior directors of the company and looked at the relevant information. Now it is a closed-door meeting. Some words naturally require a very fair and objective evaluation. Judging from the current situation, the Chinese music scene is not really not able to fight back. Fang Wenshan is the mountain that no one can get by.
Representative Jin: It is unrealistic to directly determine the winner at the party. After all, it is under the name of friendly communication and is not for the winner at all. So in fact, what determines the winner and lose between us is the hot search rankings and Baidu Music Storm List.
Representative Kim talked about the victory or defeat of the mainland Chinese market. No one thought there would be any surprises in the Korean local market. South Korea is very xenophobic in the field of culture. Even Japan and the United States have not gained much advantage, let alone the Chinese music scene.
The objective outcome is mainly the music chart and hot searches. You can spend money on public relations. You spend enough money and be sincere enough. Strength is not the most important thing, but this time it will definitely not work. Not to mention that there is no effect if the money is low. The relevant departments alone cannot pass the test. Those portals and Internet capitals are really going to be random. At that time, they may be dealt with seriously by the relevant departments and have to rectify them.
Relatively speaking, this time is relatively fair, and they even have an advantage over the other party, because they have a special fan structure and special fan clubs. They can coordinate and operate organized and disciplined organization and hot search activities through professional teams, so they have great advantages and are not afraid of the so-called home whistle.
However, Fang Wenshan and his Chinese style suddenly appeared are indeed strong rivals. They are both musicians and professionals. Li Xiuman cannot see the value of Chinese style, especially the terrible influence and huge commercial value in the Chinese market. They have really become the key to the outcome of the future, and they must not be taken lightly.
Li Xiuman: What do you say, representative Wu?
Representative Wu: "The Fan" is very popular now, and the official MV is already in preparation. It was officially released in early July. I took out a month to make the rankings and check the popularity. I took the lead in a few songs. Let the scene look at the scene. It is our Korean wave that has the upper hand, and Chinese wave is not as good as our Korean wave.
Wu Mingzhi's method is actually a very common marketing method they use, which is to use time difference and information difference. Relying on the professional fan structure and strong fan mobilization ability, they mobilized this aspect in the early stage to take the lead.
It’s not all cheating, but it’s true that those brainless fans can use to boost popularity rankings in advance. Fang Wenshan’s five songs are indeed very powerful, but not every song is impeccable. For example, “The Offer of Love”, “Red Zhao Wish”, and “Unknown Words”, the popularity is almost over. Now that it can be stable in the top five, it is only “Dongfeng Po” and “Roll Bead Curtain”.
Even if they can't win these two divine songs, they can still occupy the remaining positions in the top ten. In terms of rankings and popularity, the other party is far inferior to them. Before the party begins, everyone's first reaction is that Korean waves are coming in full force, and Hualiu is difficult to resist.
As for the final head-on confrontation, at present, only Fang Wenshan is threatening, but no matter how powerful Fang Wenshan is, he is only one person. What can he use to compete with the entire Korean entertainment industry?
The senior SM leaders who quickly formulated countermeasures took action immediately. This cultural exchange is very important to SM. Once they win, it not only means that they can directly enter the Chinese market, but also means that they have become the forefront of Korean Wave 20 and continue to enjoy huge policy dividends after Korean Wave 10.
When Chen Duling and Ding Xiaoying finally finished their work and returned to the hotel with the main force, it was almost eight o'clock in the evening, so they went to the buffet restaurant first, had a simple dinner, then went back to their room to wash, changed their clothes, and then went to Ye Yu's room together.
When two young assistants who had just taken office arrived at the room, Ye Yu was watching some of the works before Girls' Generation. In addition to the famous songs, he also watched some unpopular songs, and at the same time analyzed the ratings of these works and the possible heights of subsequent works.
The peak work has appeared, "Gee", released on January 7, 2009. This is a Korean-style popular singing and dancing girl group dance in Dance-pp, R&B and HipHp style.
Dance-pp is translated as Pop, a dance-oriented pop music style that originated from pop music in the early 1980s.
Dance-pp is usually characterized by fast-paced (or slow) music, and rhythms accompanying songs.
Dance-pp is characterized by its strong applause (puff, clapping) beats, an easy and simple song structure, and is a musical genre that pays more attention to free form than pop music: it emphasizes musical rhythm and catchy tunes, which are generally suitable for nightclub clubs.
DANCE-POP, as the name suggests, is the fusion of electronic dance music and pop music. Dance music in the music style refers to electronic dance music and DANCE-POP.
R&B or RnB, which means rhythm and blues, also known as rhythm and blues.
Blues and jazz are important components of R&B.
R&B originated from African-American artists and is a musical style that integrates jazz, gospel music and electronic blues music. The most representative one in the circle is Jay Chou. In other words, the Chinese style should have been a complete work of Jay Chou combining Chinese traditional culture based on R&B. Of course, Fang Wenshan is the key, but now... it has little to do with Ajie.
The musical term R&B was proposed by Billbard in the late 1940s.
Related records include the collection "Bruce Famous Artists, Fifth Series: Jumping Blue Classic", Luis Jrdan's "Louis Jordan Selection", etc.Cntemprary R&B adds electronic music and SOUL to ordinary R&B.hip-hp is a culture originating from the street. The four expressions of hip-hp culture include m-cing (speaking rhythmically and rhyme later evolved into rap), Bbying (street dance), dj-ing (playing record and turntable skills), and graffiti writing (graffiti art).
Therefore, rap (singing music) is just an element in hip-hp culture, and other dances, clothing, life attitudes, etc. can form a complete hip-hp culture.
In addition, it has also derived hip-hop fashion and hip-hop language culture, and its representative figure, Wei Bai Pan.
In fact, the styles of boys and girls are similar. They almost find commonalities from these three styles to make some pieces and blend them. But one thing is to say, because genuine protection and the development and improvement of the record industry, in these three fields, the Korean entertainment industry is indeed ahead of the Chinese entertainment industry. Not to mention the mainland, Hong Kong and Taiwan are far from fighting each other. It is just that the same type faces head-on and head-on battles are very difficult to win.
Representative Jin: It is unrealistic to directly determine the winner at the party. After all, it is under the name of friendly communication and is not for the winner at all. So in fact, what determines the winner and lose between us is the hot search rankings and Baidu Music Storm List.
Representative Kim talked about the victory or defeat of the mainland Chinese market. No one thought there would be any surprises in the Korean local market. South Korea is very xenophobic in the field of culture. Even Japan and the United States have not gained much advantage, let alone the Chinese music scene.
The objective outcome is mainly the music chart and hot searches. You can spend money on public relations. You spend enough money and be sincere enough. Strength is not the most important thing, but this time it will definitely not work. Not to mention that there is no effect if the money is low. The relevant departments alone cannot pass the test. Those portals and Internet capitals are really going to be random. At that time, they may be dealt with seriously by the relevant departments and have to rectify them.
Relatively speaking, this time is relatively fair, and they even have an advantage over the other party, because they have a special fan structure and special fan clubs. They can coordinate and operate organized and disciplined organization and hot search activities through professional teams, so they have great advantages and are not afraid of the so-called home whistle.
However, Fang Wenshan and his Chinese style suddenly appeared are indeed strong rivals. They are both musicians and professionals. Li Xiuman cannot see the value of Chinese style, especially the terrible influence and huge commercial value in the Chinese market. They have really become the key to the outcome of the future, and they must not be taken lightly.
Li Xiuman: What do you say, representative Wu?
Representative Wu: "The Fan" is very popular now, and the official MV is already in preparation. It was officially released in early July. I took out a month to make the rankings and check the popularity. I took the lead in a few songs. Let the scene look at the scene. It is our Korean wave that has the upper hand, and Chinese wave is not as good as our Korean wave.
Wu Mingzhi's method is actually a very common marketing method they use, which is to use time difference and information difference. Relying on the professional fan structure and strong fan mobilization ability, they mobilized this aspect in the early stage to take the lead.
It’s not all cheating, but it’s true that those brainless fans can use to boost popularity rankings in advance. Fang Wenshan’s five songs are indeed very powerful, but not every song is impeccable. For example, “The Offer of Love”, “Red Zhao Wish”, and “Unknown Words”, the popularity is almost over. Now that it can be stable in the top five, it is only “Dongfeng Po” and “Roll Bead Curtain”.
Even if they can't win these two divine songs, they can still occupy the remaining positions in the top ten. In terms of rankings and popularity, the other party is far inferior to them. Before the party begins, everyone's first reaction is that Korean waves are coming in full force, and Hualiu is difficult to resist.
As for the final head-on confrontation, at present, only Fang Wenshan is threatening, but no matter how powerful Fang Wenshan is, he is only one person. What can he use to compete with the entire Korean entertainment industry?
The senior SM leaders who quickly formulated countermeasures took action immediately. This cultural exchange is very important to SM. Once they win, it not only means that they can directly enter the Chinese market, but also means that they have become the forefront of Korean Wave 20 and continue to enjoy huge policy dividends after Korean Wave 10.
When Chen Duling and Ding Xiaoying finally finished their work and returned to the hotel with the main force, it was almost eight o'clock in the evening, so they went to the buffet restaurant first, had a simple dinner, then went back to their room to wash, changed their clothes, and then went to Ye Yu's room together.
When two young assistants who had just taken office arrived at the room, Ye Yu was watching some of the works before Girls' Generation. In addition to the famous songs, he also watched some unpopular songs, and at the same time analyzed the ratings of these works and the possible heights of subsequent works.
The peak work has appeared, "Gee", released on January 7, 2009. This is a Korean-style popular singing and dancing girl group dance in Dance-pp, R&B and HipHp style.
Dance-pp is translated as Pop, a dance-oriented pop music style that originated from pop music in the early 1980s.
Dance-pp is usually characterized by fast-paced (or slow) music, and rhythms accompanying songs.
Dance-pp is characterized by its strong applause (puff, clapping) beats, an easy and simple song structure, and is a musical genre that pays more attention to free form than pop music: it emphasizes musical rhythm and catchy tunes, which are generally suitable for nightclub clubs.
DANCE-POP, as the name suggests, is the fusion of electronic dance music and pop music. Dance music in the music style refers to electronic dance music and DANCE-POP.
R&B or RnB, which means rhythm and blues, also known as rhythm and blues.
Blues and jazz are important components of R&B.
R&B originated from African-American artists and is a musical style that integrates jazz, gospel music and electronic blues music. The most representative one in the circle is Jay Chou. In other words, the Chinese style should have been a complete work of Jay Chou combining Chinese traditional culture based on R&B. Of course, Fang Wenshan is the key, but now... it has little to do with Ajie.
The musical term R&B was proposed by Billbard in the late 1940s.
Related records include the collection "Bruce Famous Artists, Fifth Series: Jumping Blue Classic", Luis Jrdan's "Louis Jordan Selection", etc.Cntemprary R&B adds electronic music and SOUL to ordinary R&B.hip-hp is a culture originating from the street. The four expressions of hip-hp culture include m-cing (speaking rhythmically and rhyme later evolved into rap), Bbying (street dance), dj-ing (playing record and turntable skills), and graffiti writing (graffiti art).
Therefore, rap (singing music) is just an element in hip-hp culture, and other dances, clothing, life attitudes, etc. can form a complete hip-hp culture.
In addition, it has also derived hip-hop fashion and hip-hop language culture, and its representative figure, Wei Bai Pan.
In fact, the styles of boys and girls are similar. They almost find commonalities from these three styles to make some pieces and blend them. But one thing is to say, because genuine protection and the development and improvement of the record industry, in these three fields, the Korean entertainment industry is indeed ahead of the Chinese entertainment industry. Not to mention the mainland, Hong Kong and Taiwan are far from fighting each other. It is just that the same type faces head-on and head-on battles are very difficult to win.
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