The opening ceremony was scheduled for Wednesday morning, but the actual shooting was on the weekend, Ye Yu and the others had already started filming in Seoul for two days. The director was Guo Jae-rong, a Korean director who became famous with my savage girlfriend.
However, except for a few insiders, almost no one knows about this matter. It is all hidden, because this is the important weight for the Hedong Lion Roar series to be able to make a name for itself overseas, and it is the real trump card and king.
On Monday morning, Bae Joo-hyun appeared at the school on time as usual. Her topics and popularity have dropped a lot compared to before. After all, many people in the school are now attracted by the Hedong Lion Roar, which is about to start the filming. All the chat topics are almost all related to this new series.
As the biggest lucky person, Li Qin has not appeared in school for more than a week, and the phone is also turned off and can't be contacted at all, so many people who want to get close to her have no idea.
As soon as Sister Pei entered the classroom, she heard the familiar complaint: I'm so annoying. Brother Xiao Ye hasn't come to school recently. Are you going to set off tomorrow?
After class tomorrow afternoon, we will go to Hengdian together and start the computer in Hengdian the morning after tomorrow.
Meng Ziyi became more and more miserable as she listened to her. She had a good sister for the rest of her life. As a result, she was the only four sisters in dormitory 507. Fortunately, there were Sister Pei and Janice Man from dormitory 615, otherwise she would not be alive. She would not bully people like this. Anyway, she was directly in charge of the 615 side during the next period.
Bai Lu naturally knew that Sister Meng was not Kaisen, but she would definitely not be generous in this regard and talk about sisterly love. She finally got into it. Naturally, she couldn't give up such an opportunity. Maybe she could get some good luck and have some supporting roles with lines and lenses. After all, there is no need to go to outsiders, and there is someone behind her.
Ding Xiaoying had a similar idea, so she turned a blind eye to Meng Ziyi's misery, but instead talked about her and Xiaobai's work arrangements later.
Because Chen Duling left early this afternoon, he would focus on his work here. For the time being, he couldn't go to Hengdian like her. Yang Yang would first go to the left ear crew to report and take the lead in filming his part. After the filming, he rushed to the Hedong Lion Roar crew.
Although Yang Yang is Su Che, one of the four talents he has played, there are not many plots in the camera, and he is not very famous and has other scenes, so he will make a final re-shoot. He can join the group before November 20th.
Ye Yu and the others are already making final preparations today. They mainly went to South Korea before, so the crew is scheduled to set off today. The large army must go there two days in advance. The opening banquet and related ceremonies must be prepared in advance. By the way, they must also accept the scenery costumes and props.
Li Bingbing, Fan Bingbing, Lin Chiling and the others were naturally along the way with Ye Yu, and Guli Nazha, Bai Bing and the others were also traveling with him. Li Qin would come here with Bai Lu, Ding Xiaoying and the others tomorrow afternoon.
As a genre of contemporary film theory, feminist film theory originated in the 1960s. It combines theories and methods of theory such as psychoanalysis, poststructuralism and semiotics to analyze the presentation of women in film texts and interpret the ideology of gender narratives in film texts.
Film theory scholar Judith Mayn divided female films into two categories: one is based on consumer objects, popular drama movies that are full of emotions for female audiences, known as WEEIP-ES.
Among them, Hollywood popular dramas from the 1930s to 1950s were most common, and most of the films were filmed by male directors; the other was based on the author, which was filmed by female directors.
The former focuses on the issue of the film, only emphasizes whether the central issue of the film cares about the survival status of women and does not pay much attention to the gender of the director. The latter focuses on the gender identity of the director, limiting female films to the scope of female directors.
Female movies are usually divided into three categories: films with female themes or subjects, feminist films, and films created by female directors.
From the perspective of the creative subject, it is emphasized that female films must be directed by women.
Here are roughly divided into two different views.
First, when directed by women, the film should have a distinct female consciousness; second, some researchers believe that films and literary creation are different, and female literature can be defined as literature written by female writers, with female experience and speech as the main body.
As a comprehensive art film, it requires group wisdom, and it is difficult to make the main creators such as editors, directors, and actors all women, and the theme is related to the survival experience of women.
Therefore, for movies, works directed by female directors, mainly expressing women, showing the real existence and awakening of women, can be regarded as female movies.
However, when it comes to Ye Yu, female movies completely break these inherent settings and traditional impressions. Many of them even directly evaluated as feminist movies for Ye Yu. Simply put, his movies are no longer simply caring about women and reflecting women's survival status, but lies in the awakening of women's power and the way they get along with feminism and patriarchal society in the new era.
This is a new topic that the Film Academy has focused on interpreting recently, and even gave him the title of the Father of the New Feminist Movie. Although the movie was not made by Ye Yu, it was all written by him, and it was basically filmed according to his requirements, so it is not an exaggeration to say that it is his work, and Guo Zairong also admitted this.
It's on the plane now, and today I'm a chartered plane and taking a special plane, so everyone is very idle now, especially when I heard that Fang Wenshan seemed to have a very good art film, who was going to win the award, Fan Bingbing and Li Bingbing and others became interested in it instantly.
How could there be such a woman? It's too heartless, right?And this is also a feminist movie?Shouldn’t women’s rights be praised for women?
Seeing everyone's attention attracted, Ye Yu, who knew that the purpose was achieved, hurriedly took back the unfinished semi-finished product from Nazha and said: What do you know? The feminist movies you mentioned are traditional and boring at all. The real wealth code is a new feminist movie, a new wave movie that reflects the current situation of modern women and the current society, rather than the old antiques from the last century.
Feminist rights, as the name suggests, refer to women's rights, but this right will not be blindly praised and praised. There are also many distortions and demonization behind this. Therefore, criticizing feminist rights and allowing viewers to think about demonized feminism is also considered a feminist movie. Do you think I am on the third level, but I am in the atmosphere.
However, except for a few insiders, almost no one knows about this matter. It is all hidden, because this is the important weight for the Hedong Lion Roar series to be able to make a name for itself overseas, and it is the real trump card and king.
On Monday morning, Bae Joo-hyun appeared at the school on time as usual. Her topics and popularity have dropped a lot compared to before. After all, many people in the school are now attracted by the Hedong Lion Roar, which is about to start the filming. All the chat topics are almost all related to this new series.
As the biggest lucky person, Li Qin has not appeared in school for more than a week, and the phone is also turned off and can't be contacted at all, so many people who want to get close to her have no idea.
As soon as Sister Pei entered the classroom, she heard the familiar complaint: I'm so annoying. Brother Xiao Ye hasn't come to school recently. Are you going to set off tomorrow?
After class tomorrow afternoon, we will go to Hengdian together and start the computer in Hengdian the morning after tomorrow.
Meng Ziyi became more and more miserable as she listened to her. She had a good sister for the rest of her life. As a result, she was the only four sisters in dormitory 507. Fortunately, there were Sister Pei and Janice Man from dormitory 615, otherwise she would not be alive. She would not bully people like this. Anyway, she was directly in charge of the 615 side during the next period.
Bai Lu naturally knew that Sister Meng was not Kaisen, but she would definitely not be generous in this regard and talk about sisterly love. She finally got into it. Naturally, she couldn't give up such an opportunity. Maybe she could get some good luck and have some supporting roles with lines and lenses. After all, there is no need to go to outsiders, and there is someone behind her.
Ding Xiaoying had a similar idea, so she turned a blind eye to Meng Ziyi's misery, but instead talked about her and Xiaobai's work arrangements later.
Because Chen Duling left early this afternoon, he would focus on his work here. For the time being, he couldn't go to Hengdian like her. Yang Yang would first go to the left ear crew to report and take the lead in filming his part. After the filming, he rushed to the Hedong Lion Roar crew.
Although Yang Yang is Su Che, one of the four talents he has played, there are not many plots in the camera, and he is not very famous and has other scenes, so he will make a final re-shoot. He can join the group before November 20th.
Ye Yu and the others are already making final preparations today. They mainly went to South Korea before, so the crew is scheduled to set off today. The large army must go there two days in advance. The opening banquet and related ceremonies must be prepared in advance. By the way, they must also accept the scenery costumes and props.
Li Bingbing, Fan Bingbing, Lin Chiling and the others were naturally along the way with Ye Yu, and Guli Nazha, Bai Bing and the others were also traveling with him. Li Qin would come here with Bai Lu, Ding Xiaoying and the others tomorrow afternoon.
As a genre of contemporary film theory, feminist film theory originated in the 1960s. It combines theories and methods of theory such as psychoanalysis, poststructuralism and semiotics to analyze the presentation of women in film texts and interpret the ideology of gender narratives in film texts.
Film theory scholar Judith Mayn divided female films into two categories: one is based on consumer objects, popular drama movies that are full of emotions for female audiences, known as WEEIP-ES.
Among them, Hollywood popular dramas from the 1930s to 1950s were most common, and most of the films were filmed by male directors; the other was based on the author, which was filmed by female directors.
The former focuses on the issue of the film, only emphasizes whether the central issue of the film cares about the survival status of women and does not pay much attention to the gender of the director. The latter focuses on the gender identity of the director, limiting female films to the scope of female directors.
Female movies are usually divided into three categories: films with female themes or subjects, feminist films, and films created by female directors.
From the perspective of the creative subject, it is emphasized that female films must be directed by women.
Here are roughly divided into two different views.
First, when directed by women, the film should have a distinct female consciousness; second, some researchers believe that films and literary creation are different, and female literature can be defined as literature written by female writers, with female experience and speech as the main body.
As a comprehensive art film, it requires group wisdom, and it is difficult to make the main creators such as editors, directors, and actors all women, and the theme is related to the survival experience of women.
Therefore, for movies, works directed by female directors, mainly expressing women, showing the real existence and awakening of women, can be regarded as female movies.
However, when it comes to Ye Yu, female movies completely break these inherent settings and traditional impressions. Many of them even directly evaluated as feminist movies for Ye Yu. Simply put, his movies are no longer simply caring about women and reflecting women's survival status, but lies in the awakening of women's power and the way they get along with feminism and patriarchal society in the new era.
This is a new topic that the Film Academy has focused on interpreting recently, and even gave him the title of the Father of the New Feminist Movie. Although the movie was not made by Ye Yu, it was all written by him, and it was basically filmed according to his requirements, so it is not an exaggeration to say that it is his work, and Guo Zairong also admitted this.
It's on the plane now, and today I'm a chartered plane and taking a special plane, so everyone is very idle now, especially when I heard that Fang Wenshan seemed to have a very good art film, who was going to win the award, Fan Bingbing and Li Bingbing and others became interested in it instantly.
How could there be such a woman? It's too heartless, right?And this is also a feminist movie?Shouldn’t women’s rights be praised for women?
Seeing everyone's attention attracted, Ye Yu, who knew that the purpose was achieved, hurriedly took back the unfinished semi-finished product from Nazha and said: What do you know? The feminist movies you mentioned are traditional and boring at all. The real wealth code is a new feminist movie, a new wave movie that reflects the current situation of modern women and the current society, rather than the old antiques from the last century.
Feminist rights, as the name suggests, refer to women's rights, but this right will not be blindly praised and praised. There are also many distortions and demonization behind this. Therefore, criticizing feminist rights and allowing viewers to think about demonized feminism is also considered a feminist movie. Do you think I am on the third level, but I am in the atmosphere.
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