Let me first talk about my understanding of sword techniques. Chinese swords are designed for assassination. Users can pierce the enemy's eyes, thumbs or jugular veins with one sword. The thin sword body can easily penetrate the gaps between armor or ribs. Because of its light weight and elasticity, swords are very popular in movies and martial arts performances.
The martial arts director Tao nodded straight after hearing this. Although he is only a second-rate martial arts finger, he still knows some of the most basic logic and principles, especially the very popular fairy dramas that are very popular nowadays. Swords and Sword Immortals have almost become standard equipment. They are basically fencing, with few bare hands and empty fists. Except for swords, they use magic weapons and magic directly, and rarely use other weapons.
After all, the action scenes of the immortal doll drama are not the real core. The real core is actually the bloody love between gods, so many so-called big productions are basically selling dog meat with the head of sheep, and the fighting scenes are very perfunctory, which is not as exciting as some new-style martial arts dramas. Therefore, many people are joking about the fact that today's martial arts are comparable to fantasy fairy tales, and today's fairy tales are not even as good as martial arts.
Therefore, the original movement design of the Three Lives Three Worlds Ten Miles of Peach Blossoms is similar. There are also shots of Wiyafei in the air, and there are also moves of playing swords, but... just like a child's play, there is almost no logic or routine.
Modern swordsmanship mainly originated from Li Jinglin's thirteen Wudang stances, including pulling, belting, latching, hitting, stabbing, pointing, collapse, stirring, washing, pressing, and chopping, inheriting and carrying forward the original Wudang Sword's methods of hitting, stabping, grid, and washing.
Li Jinglin gathered his thoughts and created a set of swords from the perspective of attack and defense, which was called Wudang swords. After that, it developed to five trips, including about sixty different forces.
Although there are all kinds of sword moves in film and television dramas, the basic moves are the thirteen Wudang stances and more than 60 subsequent sword moves, and then they are broken up, without considering logic, but just strive to be good-looking, and merge the original moves that are not right, without considering practicality, simply being beautiful.
However, the older generation of martial arts dramas are very professional and exquisite, and they focus very much on martial arts. They will try their best to match the genre and martial arts they want to express. For example, the Huashan Sword Technique in the Sword of the Sword of the Proud Wanderer, the focus is on dangerous and strange. The novel is very conceptual, but film and television dramas must be intuitively expressed, so they will choose relatively dangerous and strange sword stances in the Thirteen stances, and then form some sword moves for display and restoration. Therefore, most of them are sword moves that are mainly attacked, stabbed, dot, and grid.
The Songshan Sword Technique is a heavy sword with simple moves and strong force, so it is mainly used to press and chop; the Hengshan Sword Technique is a speed flow, mainly pulling, thorning, and stirring. It is not easy to take action, and it is as fast as lightning as it is, and it is strange and changeable.
However, because of this restoration, the requirements for actors are very high, that is, the actors must practice these sword moves set for you, and you must show them during the official shooting.
Sword technique cannot be achieved by just dancing a few times with a sword. It requires basics. At least you must first figure out the skills and characteristics of each of the thirteen postures such as pulling, belting, placing, hitting, stabbing, pointing, collapse, stirring, washing, pressing, and chopping. This one alone cannot be achieved by dancing a few times. Therefore, many actors who used to film martial arts dramas had more or less a certain foundation. Not to mention that they were very powerful, at least they were professional and danced well.
Now, there is no such basic logic at all. Many actors cannot even play the most basic sword flower. They have to edit their swords. Most of them dance a few randomly with a sword, without even doing set moves. Anyway, it is a fairy tale drama, and there is no need to fight bayonets like a martial arts drama, so it is OK to dance a few times and combine the 50 cents domestic special effects.
So after listening to the fighting scene designed by Brother Tao for himself, Ye Yu directly refused. After all, according to the plot he discussed with Yi Fei's wife last night, he should have played Bai Zhen first, and then Liu Yifei saw his outstanding performance, especially the action scenes, and directly invited him to play the leading actor Ye Hua in the movie version. There must be a reason.
And this was what my wife asked for. The main reason was that she and Liu Shishi and the woman Yang Mi were not very good at dealing with each other. As soon as she saw their movie version, she immediately created a TV series version. She dared to turn on the film directly in front of them and make a name for themselves. Who is disgusting?
Although you can make money while lying down, when you meet a real expert, Brother Tao, as a martial arts coach, is still willing to spend his time, mainly because you accept the current Xianyu life, then you can only be a Xianyu for the rest of your life and spend your days in similar crews. And there are many Xianyu like this, and you may not find you next time.
But if you have some bright scenes, you may be attracted by some movie crews. You will gradually gain reputation in the circle. Anyway, you don’t spend your own money, just wasting some time and energy. Why not do it?
Binzai, what are you planning to design?
Watch Shushan, Tsui Hark's movie.Dan Chenzi's routine inside is good. The wings can directly transform into countless sharp blades, making people unable to defend themselves. Then I first used the most basic grid, stirring and washing to defend, but the clothes are inevitably damaged and consumed, so they quickly became such a battle-loss equipment.Ye Yu was talking and drawing a sketch directly. It is better to understand sketching. What you want to express can be drawn directly.
After reading the sketch, Brother Tao instantly understood it in seconds, saying that he could do it. With his current technical level, it is not difficult, and they don’t need to completely restore the movie’s shots, just make a rough idea. Such fighting scenes are naturally much more exciting than the original ones. You can really see the flavor of fairy tales. Those before... it’s better not to mention them.
Then I put the sword directly into the sheath and began to be lucky to draw the sword. I used the sword drawing technique to break ten thousand methods with one sword. Because it was too powerful, I would directly explode the clothes. This is also the reason why I didn't use this method to fight at the beginning. So when my sword drawing technique was released, my whole body's clothes, mainly the top, would explode instantly, and then defeat all attacks and opponents with one sword, and destroy all methods with one sword. Is it possible?
There should be no problem with this, so what about the fighting scenes you mentioned before?
Seals are not the patent of the Japanese. Our Taoist sect also has special hand seals, or they are imitating and plagiarizing us. Qimen Dunjia is passed down by us. My setting in the play is water system, and I am good at water system magical powers, so I plan to use some magical magic first, mainly for Qing soldiers to show off.
After Ye Yu finished speaking, he made several handprints of Taoist sect:
Laojun rode the green cow backwards: his hands faced with his backs, and his right hand was on top.
The ring finger of the right hand hooks the middle finger of the left hand from the outside, and the index finger of the right hand hooks the ring finger of the right hand and the middle finger of the left hand from the memory.
The left hand has a big finger, little finger, index finger, and ring finger, and the right hand has a big finger, little finger, and middle finger.
Ghost-Suppressing Fan Seal: extend your left hand upwards.The index, middle and ring finger of the right hand bends, the big and little fingers and place them on the heel of the left palm.The left and right exchanges are also made.
Anti-Heaven Seal: With your hands facing away from each other, your right hand is on top.
The middle finger of the right hand is hooked to the middle finger of the left hand and the ring finger of the left hand. The left hand rotates from the inside to the outside until the palms of both hands are facing upward, and the index finger of both hands is hooked to the index finger and the little finger of the little finger.
Lei Zu Yin: The palms of both hands are facing upward, the left finger is bent, and the left index finger and little finger hook the index finger of the right hand.
The middle finger of the right hand extends between the middle finger of the left hand and the ring finger.
The big finger on the left hand pressed the little finger on the right hand.
The big finger of the right hand presses against the ring finger.
Beidou Jue: hook the ring finger of the left hand to the little finger of the right hand, hook the little finger of the right hand to the little finger of the left hand, press the ring finger of the two big fingers, straighten the index and middle fingers of both hands, and put their palms together.
Five Mountain Seals: Hands are facing upwards, and fingers are crossed.
The index finger of the left hand held the middle finger of the right hand, the index finger of the right hand held the middle finger of the left hand, the big finger of the left hand pressed the little finger of the right hand, the big finger of the right hand pressed the little finger of the left hand, and the two ring fingers were raised.
The martial arts director Tao nodded straight after hearing this. Although he is only a second-rate martial arts finger, he still knows some of the most basic logic and principles, especially the very popular fairy dramas that are very popular nowadays. Swords and Sword Immortals have almost become standard equipment. They are basically fencing, with few bare hands and empty fists. Except for swords, they use magic weapons and magic directly, and rarely use other weapons.
After all, the action scenes of the immortal doll drama are not the real core. The real core is actually the bloody love between gods, so many so-called big productions are basically selling dog meat with the head of sheep, and the fighting scenes are very perfunctory, which is not as exciting as some new-style martial arts dramas. Therefore, many people are joking about the fact that today's martial arts are comparable to fantasy fairy tales, and today's fairy tales are not even as good as martial arts.
Therefore, the original movement design of the Three Lives Three Worlds Ten Miles of Peach Blossoms is similar. There are also shots of Wiyafei in the air, and there are also moves of playing swords, but... just like a child's play, there is almost no logic or routine.
Modern swordsmanship mainly originated from Li Jinglin's thirteen Wudang stances, including pulling, belting, latching, hitting, stabbing, pointing, collapse, stirring, washing, pressing, and chopping, inheriting and carrying forward the original Wudang Sword's methods of hitting, stabping, grid, and washing.
Li Jinglin gathered his thoughts and created a set of swords from the perspective of attack and defense, which was called Wudang swords. After that, it developed to five trips, including about sixty different forces.
Although there are all kinds of sword moves in film and television dramas, the basic moves are the thirteen Wudang stances and more than 60 subsequent sword moves, and then they are broken up, without considering logic, but just strive to be good-looking, and merge the original moves that are not right, without considering practicality, simply being beautiful.
However, the older generation of martial arts dramas are very professional and exquisite, and they focus very much on martial arts. They will try their best to match the genre and martial arts they want to express. For example, the Huashan Sword Technique in the Sword of the Sword of the Proud Wanderer, the focus is on dangerous and strange. The novel is very conceptual, but film and television dramas must be intuitively expressed, so they will choose relatively dangerous and strange sword stances in the Thirteen stances, and then form some sword moves for display and restoration. Therefore, most of them are sword moves that are mainly attacked, stabbed, dot, and grid.
The Songshan Sword Technique is a heavy sword with simple moves and strong force, so it is mainly used to press and chop; the Hengshan Sword Technique is a speed flow, mainly pulling, thorning, and stirring. It is not easy to take action, and it is as fast as lightning as it is, and it is strange and changeable.
However, because of this restoration, the requirements for actors are very high, that is, the actors must practice these sword moves set for you, and you must show them during the official shooting.
Sword technique cannot be achieved by just dancing a few times with a sword. It requires basics. At least you must first figure out the skills and characteristics of each of the thirteen postures such as pulling, belting, placing, hitting, stabbing, pointing, collapse, stirring, washing, pressing, and chopping. This one alone cannot be achieved by dancing a few times. Therefore, many actors who used to film martial arts dramas had more or less a certain foundation. Not to mention that they were very powerful, at least they were professional and danced well.
Now, there is no such basic logic at all. Many actors cannot even play the most basic sword flower. They have to edit their swords. Most of them dance a few randomly with a sword, without even doing set moves. Anyway, it is a fairy tale drama, and there is no need to fight bayonets like a martial arts drama, so it is OK to dance a few times and combine the 50 cents domestic special effects.
So after listening to the fighting scene designed by Brother Tao for himself, Ye Yu directly refused. After all, according to the plot he discussed with Yi Fei's wife last night, he should have played Bai Zhen first, and then Liu Yifei saw his outstanding performance, especially the action scenes, and directly invited him to play the leading actor Ye Hua in the movie version. There must be a reason.
And this was what my wife asked for. The main reason was that she and Liu Shishi and the woman Yang Mi were not very good at dealing with each other. As soon as she saw their movie version, she immediately created a TV series version. She dared to turn on the film directly in front of them and make a name for themselves. Who is disgusting?
Although you can make money while lying down, when you meet a real expert, Brother Tao, as a martial arts coach, is still willing to spend his time, mainly because you accept the current Xianyu life, then you can only be a Xianyu for the rest of your life and spend your days in similar crews. And there are many Xianyu like this, and you may not find you next time.
But if you have some bright scenes, you may be attracted by some movie crews. You will gradually gain reputation in the circle. Anyway, you don’t spend your own money, just wasting some time and energy. Why not do it?
Binzai, what are you planning to design?
Watch Shushan, Tsui Hark's movie.Dan Chenzi's routine inside is good. The wings can directly transform into countless sharp blades, making people unable to defend themselves. Then I first used the most basic grid, stirring and washing to defend, but the clothes are inevitably damaged and consumed, so they quickly became such a battle-loss equipment.Ye Yu was talking and drawing a sketch directly. It is better to understand sketching. What you want to express can be drawn directly.
After reading the sketch, Brother Tao instantly understood it in seconds, saying that he could do it. With his current technical level, it is not difficult, and they don’t need to completely restore the movie’s shots, just make a rough idea. Such fighting scenes are naturally much more exciting than the original ones. You can really see the flavor of fairy tales. Those before... it’s better not to mention them.
Then I put the sword directly into the sheath and began to be lucky to draw the sword. I used the sword drawing technique to break ten thousand methods with one sword. Because it was too powerful, I would directly explode the clothes. This is also the reason why I didn't use this method to fight at the beginning. So when my sword drawing technique was released, my whole body's clothes, mainly the top, would explode instantly, and then defeat all attacks and opponents with one sword, and destroy all methods with one sword. Is it possible?
There should be no problem with this, so what about the fighting scenes you mentioned before?
Seals are not the patent of the Japanese. Our Taoist sect also has special hand seals, or they are imitating and plagiarizing us. Qimen Dunjia is passed down by us. My setting in the play is water system, and I am good at water system magical powers, so I plan to use some magical magic first, mainly for Qing soldiers to show off.
After Ye Yu finished speaking, he made several handprints of Taoist sect:
Laojun rode the green cow backwards: his hands faced with his backs, and his right hand was on top.
The ring finger of the right hand hooks the middle finger of the left hand from the outside, and the index finger of the right hand hooks the ring finger of the right hand and the middle finger of the left hand from the memory.
The left hand has a big finger, little finger, index finger, and ring finger, and the right hand has a big finger, little finger, and middle finger.
Ghost-Suppressing Fan Seal: extend your left hand upwards.The index, middle and ring finger of the right hand bends, the big and little fingers and place them on the heel of the left palm.The left and right exchanges are also made.
Anti-Heaven Seal: With your hands facing away from each other, your right hand is on top.
The middle finger of the right hand is hooked to the middle finger of the left hand and the ring finger of the left hand. The left hand rotates from the inside to the outside until the palms of both hands are facing upward, and the index finger of both hands is hooked to the index finger and the little finger of the little finger.
Lei Zu Yin: The palms of both hands are facing upward, the left finger is bent, and the left index finger and little finger hook the index finger of the right hand.
The middle finger of the right hand extends between the middle finger of the left hand and the ring finger.
The big finger on the left hand pressed the little finger on the right hand.
The big finger of the right hand presses against the ring finger.
Beidou Jue: hook the ring finger of the left hand to the little finger of the right hand, hook the little finger of the right hand to the little finger of the left hand, press the ring finger of the two big fingers, straighten the index and middle fingers of both hands, and put their palms together.
Five Mountain Seals: Hands are facing upwards, and fingers are crossed.
The index finger of the left hand held the middle finger of the right hand, the index finger of the right hand held the middle finger of the left hand, the big finger of the left hand pressed the little finger of the right hand, the big finger of the right hand pressed the little finger of the left hand, and the two ring fingers were raised.
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