A church...just like my judgment... Klein looked at the ruins ahead and said silently to himself.
At this time, some crimson moonlight that penetrated the deposited mist sprinkled on the semi-collapsed buildings, much richer than before, and became closer to blood.
Klein maintained the iconic coldness of German Sparrow and spoke without any emotional ups and downs:
Where have you explored before?
While speaking, Klein glanced at the Hanging Man. The lantern in his hand that had been suffering for a long time but was not broken was subconsciously tightened by the light reflected from the flames.
Although the flame was always isolated by thick glass and metal fences, it still made him a little scared.
Alger did not pay attention to the subtle changes of Germansparo. He raised his right hand holding the short blade and pointed to the most intact and grandest building in the ruins:
There.
The building only has the main body, making it difficult to know what its original plan layout looks like. It can only be judged from the remaining parts that currently have thick walls, magnificent and huge windows, and has a tall tower and a bell tower, with a simple appearance and an ancient shape.
This is an architectural style from the early Quaternary period, and it is recorded in the classics of the Storm Church. It is said that during that period, major churches widely used similar shapes to build churches.Alger was impressed by this ruins. Over the years, he has read many books and mastered certain situations. Its biggest feature is that the tombs in the temple are unified with life and death. However, I cannot be sure that the interior of this ancient church is the same as what I described, because I have never penetrated it.
This may be the architectural style left over from the Third Age... Klein made some guesses and walked towards the ancient church ruins of the extremely tall doorway, throwing the lantern behind him, enjoying only the light and not the flame.
The two of them soon followed the exaggerated gray-white stone steps to the doorway and saw the remaining classical stone pillars and concentric multi-layer arches inside.
Klein didn't rush into the pocket, and put his left hand into his pocket, took out a gold coin, allowing it to flip and jump between his fingers, as if he was muttering something in his mouth.
Suddenly, he bounced up the gold coin with a clanging sound, spread his palms and waited for the other party to fall, and turned his head to the hanging man and said:
Based on what do you judge that the deepest part of this church is worth no less than the ‘Blasphemy Card’?
After saying that, he looked at the gold coins that fell to his palm and casually put them away.
Alger pointed to the inside and said:
I said that my strength was not as strong as Zillingers at that time, and my depth was naturally not as deep as him. I could not know what he saw. I could only judge from some of his words that there were very precious and important things, and at least I had to have the level of true sequence 5 to obtain them.
However, the murals near the entrance and traces on the ground may illustrate some problems.
Klein nodded and walked into the deep door hole that could not be directly shining with the crimson moonlight. The black windbreaker she was wearing was slightly raised, while Alger held the lantern, clasped the short blade, and followed him.
Through the door opening, Klein used the red moon hanging from the dome's breakthrough to see clearly that there was a large-scale hall ahead, and the classical stone pillars supporting it had collapsed and broken halfway.
Its end is not the altar, nor is it going upwards. It is dark and it is hard to see details, as if it is going deep into the ground.
Not the tombs at the temple... are the temples and tombs underground?
It is impossible to judge, and you have to go down to know... Klein subconsciously glanced left and right and found that there was a side door on each side, but the area they led to had completely collapsed and there was no way to do so.
The murals near the entrance and the traces on the ground... He remembered the words of the Hanging Man just now, and took two steps to release the invisible resentful soul Seniore. With his night vision ability, he looked at the remaining murals on the wall.
The background of the mural is a majestic mountain peak, with huge crosses covered with layers of glory at the top.
In front of the cross, there was an extremely majestic figure of Tao, and surrounded by angels with two wings, four wings and six wings on their backs.
This... Klein just took a rough look and felt a strong sense of familiarity.
He had seen similar murals in the mausoleum of Amon, the Blasphemer!
After calming down, Klein quickly found the difference. There were no two babies representing Amon and Adam, nor were there twelve-winged angels. In front of the cross, the majestic figure covered with divine light was held in front of the cross and held an ancient and simple stone slab.
The stone slab was painted extremely blurred, but it had a feeling that it was both ancient and young, both sacred and evil, with extremely contradictory meaning.
Slate… Klein’s pupils dilated slightly, and a proper noun flashed through his mind:
Profane slate!
This should be the ancient sun god, the Creator of Silver City worshipped by the Lord who created everything... Sure enough, the Blasphemy Slate has a close connection with Him... I don't know if this is the first Blasphemy Slate or the second... Klein roughly understood which church belongs to, and began to believe that there may be very precious and important things hidden deep in this ruins.
He retracted Senigal's gaze and let the secret puppet look to the ground.
In addition to being covered with cracks, there were also some strange marks left. They were dark red, the size of human foreheads, overlapping from time to time, and continued toward the end of the hall.
At this moment, Klein naturally imagined a scene in his mind:
Devout believers crawled on the ground and crawled forward. Every time they walked for a distance, they hit the ground with their foreheads, causing blood to come out.
Seeing Germansparrow's eyes turn around and stop looking at him, Alger asked tentatively:
Ancient Sun God?
At the same time, he inexplicably felt a cold wind blowing on the side of Germansparo, and suspected that there were hidden shadows or resentful souls around him.
Thinking of the strange control of the mutated curly baboon, Alger vaguely guessed something, but didn't say it.
Hearing the question of the Hanged Man, Klein wanted to laugh and reply, you could also call him the Lord who created everything, the omniscient and omnipotent God, but then he realized that the tone and the words were closer to the Fool, rather than Germansparrow, so he restrained himself and nodded slightly:
This is not difficult to see.
Alger breathed a sigh of relief and was increasingly looking forward to the item buried deep in the church.
The two made a decision at the same time and walked towards the end of the hall together.
When he got closer, Klein finally saw clearly that there were layers of downward steps.
Underground area?He asked in a concise manner.
Alger shook his head and said:
I can't be sure, I haven't gone down.
Although Zillingers tried to go deeper, he returned here in less than ten minutes and his breath became quite weak.
Klein nodded thoughtfully and said casually:
You and him seem to be very familiar with each other.
If someone else said this, Alger would definitely not hear it and did not respond positively, but in his heart, the world Germansparo is the follower of Mr. Fool, and his questions may represent the meaning of that existence and must be treated with caution.
After thinking for a few seconds, Alger said quietly:
He and I were fellow countrymen and worked as servants in the same small church.
The priest there was an irritable and flirted with punishment for servants. Zillingers couldn't accept it and ran away secretly and became a pirate.
There is also a past Ah... The Hanged Man. Mr. is also a person with a story... Klein did not make in-depth inquiry, and walked down the stairs in the extremely quiet ruined church.
Although his footsteps were already very slight, they were still obvious in such an environment and spread far away.
Soon, the two of them finished the stairs and saw another door hole with a arch.
On both sides of the doorway, two black shadows stood quietly, silently, and never changed.
Klein and Alger stopped at the same time, looked at the two black shadows, and found that they were two stone statues.
They are all male, all grayish-white, one wearing a bucket-shaped full-body armor, and the other wearing a jacket with a more modern flavor. The expression is full of pain, and the eyes are protruding, as if they are staring at something.
Seeing this scene, Klein suddenly made a clever move and remembered his previous experience in the outside world:
He and Alger also showed signs of petrification. Fortunately, they got rid of the influence in time and did not really turn into statues!
This... it's not a human who has encountered the same experience... If we were petrified just now, would we also be moved into the underground of this ancient church, guarding a door hole for hundreds or thousands of years?
Isn’t the petrification power afraid of this ruin?
Klein was inexplicably frightened, and his scalp was a little numb.
He controlled the fluctuations of his expression, turned his head and looked at the Hanging Man, and found that the rough sea man's pupils also became larger, and his hand holding the short blade was obviously tighter.
The Hanging Man, Mr. Ah, I don't need to explain anything more... Klein pointed to the door opening and said:
There may be more stone statues inside.
Alger nodded and said half worried and half jokingly:
I just hope I don't see us.
If we firmly believe that we have escaped the effect of petrification and see our statues in the underground area, it is a horror story... Klein thought for two seconds and said to the Hanging Man:
Do you have night vision?
What he really means is that the light of the lantern is very conspicuous in the purely dark underground part and is prone to cause unnecessary changes. Therefore, if you have night vision, it is best to turn off the flame light.
And he believed that the hidden meaning of the Hanged Man could be savored.
Alger replied frankly:
have.
A sailor who can dive deep into the path sequence must have the ability to have night vision.
Klein glanced at him without opening his mouth, but the meaning of his expression was already very obvious:
Then why do you still use a horse lantern?
Alger responded solemnly:
First, I mislead the enemy. When they see me using horse lanterns, they will instinctively think that I do not have the ability to ‘night vision’. When they destroy the horse lanterns and try to create a dark environment, I can surprise them.
It's so insidious... Klein couldn't find any language to deal with it for a moment.
Alger continued:
The second is to beware of situations similar to those in Silver City. The pure and dull darkness may hide extreme danger.
It makes sense... Klein did not signal the other party to extinguish the lantern. He first passed the two stone sculptures, and walked into the door opening leading to the underground area in their frozen painful eyes.
Because I don't know what the petrified statues represent, nor whether the petrified person has died completely, Klein did not try to break them and harvest the extraordinary characteristics and magical objects that may exist.
At this time, some crimson moonlight that penetrated the deposited mist sprinkled on the semi-collapsed buildings, much richer than before, and became closer to blood.
Klein maintained the iconic coldness of German Sparrow and spoke without any emotional ups and downs:
Where have you explored before?
While speaking, Klein glanced at the Hanging Man. The lantern in his hand that had been suffering for a long time but was not broken was subconsciously tightened by the light reflected from the flames.
Although the flame was always isolated by thick glass and metal fences, it still made him a little scared.
Alger did not pay attention to the subtle changes of Germansparo. He raised his right hand holding the short blade and pointed to the most intact and grandest building in the ruins:
There.
The building only has the main body, making it difficult to know what its original plan layout looks like. It can only be judged from the remaining parts that currently have thick walls, magnificent and huge windows, and has a tall tower and a bell tower, with a simple appearance and an ancient shape.
This is an architectural style from the early Quaternary period, and it is recorded in the classics of the Storm Church. It is said that during that period, major churches widely used similar shapes to build churches.Alger was impressed by this ruins. Over the years, he has read many books and mastered certain situations. Its biggest feature is that the tombs in the temple are unified with life and death. However, I cannot be sure that the interior of this ancient church is the same as what I described, because I have never penetrated it.
This may be the architectural style left over from the Third Age... Klein made some guesses and walked towards the ancient church ruins of the extremely tall doorway, throwing the lantern behind him, enjoying only the light and not the flame.
The two of them soon followed the exaggerated gray-white stone steps to the doorway and saw the remaining classical stone pillars and concentric multi-layer arches inside.
Klein didn't rush into the pocket, and put his left hand into his pocket, took out a gold coin, allowing it to flip and jump between his fingers, as if he was muttering something in his mouth.
Suddenly, he bounced up the gold coin with a clanging sound, spread his palms and waited for the other party to fall, and turned his head to the hanging man and said:
Based on what do you judge that the deepest part of this church is worth no less than the ‘Blasphemy Card’?
After saying that, he looked at the gold coins that fell to his palm and casually put them away.
Alger pointed to the inside and said:
I said that my strength was not as strong as Zillingers at that time, and my depth was naturally not as deep as him. I could not know what he saw. I could only judge from some of his words that there were very precious and important things, and at least I had to have the level of true sequence 5 to obtain them.
However, the murals near the entrance and traces on the ground may illustrate some problems.
Klein nodded and walked into the deep door hole that could not be directly shining with the crimson moonlight. The black windbreaker she was wearing was slightly raised, while Alger held the lantern, clasped the short blade, and followed him.
Through the door opening, Klein used the red moon hanging from the dome's breakthrough to see clearly that there was a large-scale hall ahead, and the classical stone pillars supporting it had collapsed and broken halfway.
Its end is not the altar, nor is it going upwards. It is dark and it is hard to see details, as if it is going deep into the ground.
Not the tombs at the temple... are the temples and tombs underground?
It is impossible to judge, and you have to go down to know... Klein subconsciously glanced left and right and found that there was a side door on each side, but the area they led to had completely collapsed and there was no way to do so.
The murals near the entrance and the traces on the ground... He remembered the words of the Hanging Man just now, and took two steps to release the invisible resentful soul Seniore. With his night vision ability, he looked at the remaining murals on the wall.
The background of the mural is a majestic mountain peak, with huge crosses covered with layers of glory at the top.
In front of the cross, there was an extremely majestic figure of Tao, and surrounded by angels with two wings, four wings and six wings on their backs.
This... Klein just took a rough look and felt a strong sense of familiarity.
He had seen similar murals in the mausoleum of Amon, the Blasphemer!
After calming down, Klein quickly found the difference. There were no two babies representing Amon and Adam, nor were there twelve-winged angels. In front of the cross, the majestic figure covered with divine light was held in front of the cross and held an ancient and simple stone slab.
The stone slab was painted extremely blurred, but it had a feeling that it was both ancient and young, both sacred and evil, with extremely contradictory meaning.
Slate… Klein’s pupils dilated slightly, and a proper noun flashed through his mind:
Profane slate!
This should be the ancient sun god, the Creator of Silver City worshipped by the Lord who created everything... Sure enough, the Blasphemy Slate has a close connection with Him... I don't know if this is the first Blasphemy Slate or the second... Klein roughly understood which church belongs to, and began to believe that there may be very precious and important things hidden deep in this ruins.
He retracted Senigal's gaze and let the secret puppet look to the ground.
In addition to being covered with cracks, there were also some strange marks left. They were dark red, the size of human foreheads, overlapping from time to time, and continued toward the end of the hall.
At this moment, Klein naturally imagined a scene in his mind:
Devout believers crawled on the ground and crawled forward. Every time they walked for a distance, they hit the ground with their foreheads, causing blood to come out.
Seeing Germansparrow's eyes turn around and stop looking at him, Alger asked tentatively:
Ancient Sun God?
At the same time, he inexplicably felt a cold wind blowing on the side of Germansparo, and suspected that there were hidden shadows or resentful souls around him.
Thinking of the strange control of the mutated curly baboon, Alger vaguely guessed something, but didn't say it.
Hearing the question of the Hanged Man, Klein wanted to laugh and reply, you could also call him the Lord who created everything, the omniscient and omnipotent God, but then he realized that the tone and the words were closer to the Fool, rather than Germansparrow, so he restrained himself and nodded slightly:
This is not difficult to see.
Alger breathed a sigh of relief and was increasingly looking forward to the item buried deep in the church.
The two made a decision at the same time and walked towards the end of the hall together.
When he got closer, Klein finally saw clearly that there were layers of downward steps.
Underground area?He asked in a concise manner.
Alger shook his head and said:
I can't be sure, I haven't gone down.
Although Zillingers tried to go deeper, he returned here in less than ten minutes and his breath became quite weak.
Klein nodded thoughtfully and said casually:
You and him seem to be very familiar with each other.
If someone else said this, Alger would definitely not hear it and did not respond positively, but in his heart, the world Germansparo is the follower of Mr. Fool, and his questions may represent the meaning of that existence and must be treated with caution.
After thinking for a few seconds, Alger said quietly:
He and I were fellow countrymen and worked as servants in the same small church.
The priest there was an irritable and flirted with punishment for servants. Zillingers couldn't accept it and ran away secretly and became a pirate.
There is also a past Ah... The Hanged Man. Mr. is also a person with a story... Klein did not make in-depth inquiry, and walked down the stairs in the extremely quiet ruined church.
Although his footsteps were already very slight, they were still obvious in such an environment and spread far away.
Soon, the two of them finished the stairs and saw another door hole with a arch.
On both sides of the doorway, two black shadows stood quietly, silently, and never changed.
Klein and Alger stopped at the same time, looked at the two black shadows, and found that they were two stone statues.
They are all male, all grayish-white, one wearing a bucket-shaped full-body armor, and the other wearing a jacket with a more modern flavor. The expression is full of pain, and the eyes are protruding, as if they are staring at something.
Seeing this scene, Klein suddenly made a clever move and remembered his previous experience in the outside world:
He and Alger also showed signs of petrification. Fortunately, they got rid of the influence in time and did not really turn into statues!
This... it's not a human who has encountered the same experience... If we were petrified just now, would we also be moved into the underground of this ancient church, guarding a door hole for hundreds or thousands of years?
Isn’t the petrification power afraid of this ruin?
Klein was inexplicably frightened, and his scalp was a little numb.
He controlled the fluctuations of his expression, turned his head and looked at the Hanging Man, and found that the rough sea man's pupils also became larger, and his hand holding the short blade was obviously tighter.
The Hanging Man, Mr. Ah, I don't need to explain anything more... Klein pointed to the door opening and said:
There may be more stone statues inside.
Alger nodded and said half worried and half jokingly:
I just hope I don't see us.
If we firmly believe that we have escaped the effect of petrification and see our statues in the underground area, it is a horror story... Klein thought for two seconds and said to the Hanging Man:
Do you have night vision?
What he really means is that the light of the lantern is very conspicuous in the purely dark underground part and is prone to cause unnecessary changes. Therefore, if you have night vision, it is best to turn off the flame light.
And he believed that the hidden meaning of the Hanged Man could be savored.
Alger replied frankly:
have.
A sailor who can dive deep into the path sequence must have the ability to have night vision.
Klein glanced at him without opening his mouth, but the meaning of his expression was already very obvious:
Then why do you still use a horse lantern?
Alger responded solemnly:
First, I mislead the enemy. When they see me using horse lanterns, they will instinctively think that I do not have the ability to ‘night vision’. When they destroy the horse lanterns and try to create a dark environment, I can surprise them.
It's so insidious... Klein couldn't find any language to deal with it for a moment.
Alger continued:
The second is to beware of situations similar to those in Silver City. The pure and dull darkness may hide extreme danger.
It makes sense... Klein did not signal the other party to extinguish the lantern. He first passed the two stone sculptures, and walked into the door opening leading to the underground area in their frozen painful eyes.
Because I don't know what the petrified statues represent, nor whether the petrified person has died completely, Klein did not try to break them and harvest the extraordinary characteristics and magical objects that may exist.
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