The Wiya Group checks the equipment again.
The lighting group will pay attention to changes later.
Wait for the following machine No. 3 to follow up, and the fourth machine is backed up, and see my gestures.
Rongzi, when you fly, you have to panic, but don’t show too much fear…
"A Chinese Ghost Story" 11th, 4th Frame, 5th Shot, Akesh!
rise!
The staff roared silently, Ning Caichen, a scholar played by Leslie Cheung, hung up with a steel wire, and Xiaoqing, a female ghost played by Lu Xiuling, also chased after Weiya.
A camera moved with Lu Xiuling. At this time, Yàn Chixia, played by Huang Xia, suddenly flew over from the other side and slashed at Lu Xiuling with a sword.
Click!This one has passed!
The sweaty yellow shrimp was put down from the air. I just NG this one five times, and now I have taken pictures of it and feel much more relaxed.
Compared with the original time and space drama, this version of "A Chinese Ghost Story" directed by Kang Jianfei has been greatly changed in the special effects and the deleted intimate scenes between the male and female protagonists and the nude scenes of Joey Wong, the actors have basically changed one after another.
In the original work, Yàn Chixia was starred by Wu Ma, but now Kang Jianfei is unable to find Wu Ma to be the second male lead in filming "A Chinese Ghost Story". Not only does he not want to help the Hong family class train movie stars, but also because Wu Ma can't invite him at all because he has no schedule.
Wu Ma is a top figure in the Hong family class. She can not only act, fight, but also direct. A few years ago, she personally directed and made a movie about Baohe working.
In addition, the same is true for Lin Zhengying. In recent years, she has become the core of the Hong family class. Basically, all the movies of Sammo Hung are Lin Zhengying doing action design.
Kang Jianfei couldn't dig these two people, and even if they were dug, there was no suitable position for them. Except for Kang Jianfei kicking the old man from the Kang family class away to make a seat, what would the other old employees of the Kang family class think if that was done?
Moreover, Wu Ma, Lin Zhengying and Kang Family Class have different movement styles.
Since the establishment of the Kang family class several years ago, under the guidance of Kang Jianfei, it has formed its own martial arts style, which is to tend to be beautiful and elegant in movements.
The Hong family is different. In many cases, the fight scenes come from hard bridges and hard horses.
The most popular people in Hong Kong are the Hong family class and the Cheng family class. When Sammo Hung and Jackie Chan made movies, the two martial arts teams were competing with each other. They were not comparing who could win the action design award at the Academy Awards, but who was injured by a movie.
If no one goes to the hospital after filming a movie, it is abnormal. Now the hospital will leave seven beds for the Hong Family Class and the Cheng Family Class at any time.
In addition to the actors of Yàn Chixia and the female ghost Xiaoqing, the actor of Huai Shu Grandma has also become an old actor Zeng Jiang, and the angry Xiahou Swordsman is starring Jet Li's friend and national martial arts champion Ghost Foot Seven and Xiong Xinxin.
Of course, the county magistrate of Guobei County is still guest starring Wang Jing and Fatty.
November is approaching. The third season of "The Voice of China" is about to be aired. "Shushan" has also gone to Japan to participate in the Tokyo Film Festival, and it is almost time to add a few new trophys.
In October just past, Xinbao Theater, which has only been established for two months, has started to release new movies every day.
Most of these movies were invested by Nanyang and Taiwan, and were shot by independent directors in Hong Kong, and finally screened at Xinbao Cinema.
In order to attract audiences to the cinema, most of these foreign-funded Hong Kong films chose to invite popular Hong Kong actors to be the protagonists. Artists under Oriental Entertainment Agency became gunmen again. Chow Yun-fat received 6 film appointments around August and September, and the schedule was scheduled to be until the Spring Festival.
These foreign-funded Hong Kong films do not expect to be released in the Hong Kong summer season. Their investors only want the film to make it famous in Hong Kong.
It is best to perform relatively well in the off-season movies, and then sell them in Nanyang and Taiwan. Overseas box office is the big one.
As overseas funds poured into the Hong Kong film industry, in October alone, the number of Hong Kong movies released reached as many as 14, which to a certain extent had an impact on the films released by DreamWorks at the same time.
However, this has not had much impact on DreamWorks, Jiahe and Xinyi City. Yindu institutions and some small companies have been a little miserable, and the average box office of the film has dropped significantly.
Due to the establishment of Xinbao Cinema, competition among major companies has become extremely fierce, and the director's flow has also become very frequent.
In addition to Deng Guangrong's Darong Film Company, which was under Jiahe, who went to cooperate with Xinbao, Yuan Heping's Peace Film Company, along with the entire Yuan Family Group, changed jobs to Xinyi City and became the Golden Princess Satellite Company affiliated with Xinyi City.
DreamWorks Wu and others left, but several new powerful characters have also been promoted. "Woman's Heart" invested by new director Stanley Kwan was also released in October.
This matter is a long story. The director of "Woman's Heart" Kwan Jinpeng and screenwriter Qiu Gangjian were originally employees of Shaw Pictures.
"Woman's Heart" was written and prepared to film when they were at Shaw Brothers. As a result, before the preliminary preparations were completed, Shaw Brothers suddenly announced that it had stopped production.
The two of them ran to many companies with scripts. Since "Woman's Heart" is a complete art film, no company is willing to invest in DreamWorks. At that time, Eric Tsang was still the manager of the TV production department, and he was shot directly after seeing the script.
Before Century Pictures reorganized the Five Continents Century, Qiu Gangjian was the creative department manager of Century Pictures. Century Pictures' films ranked among the top ten in the annual box office list of Hong Kong films were all created by this person. They are definitely top talents in film planning and screenwriter.
After Liu Zhenwei joined DreamWorks a few months ago, Qiu Gangjian found him for help.
The two used to be the general manager of Century Pictures and the other was the creative department manager of Century Pictures. They had a very happy time in business, so Liu Zhenwei immediately went to Tang Shuxuan with the report of "Woman's Heart".
Tang Shuxuan was born in a literary film. After reading the script, she had an interview with Qiu Gangjian and Guan Jinpeng, and finally decided to allocate money to director "Woman's Heart".
October was the off-season for Hong Kong's box office, but this year's competition is particularly fierce. Not only are there many movies released, but the quality is also very good, and it is simply a big jump to the audience.
The sluggish layoffs in Xinyi City some time ago have caused some people to lose their jobs, and also created opportunities for others.
Zheng Zeshi, who switched to Xinyi City, seized the opportunity. After establishing a good relationship with Wong Pai-ming, he finally had the opportunity to be promoted to director and directed and starred in this film "Why have me" that focuses on mentally retarded people.
In the original time and space, "Why Have Me" was a guest star in Chow Yun-fat, but here it was replaced by Wong Pao-ming himself. After it was released, he made a lot of tears and won 7.06 million in two weeks. This is the result of box office off-season competing for box office with more than ten movies. Its data is very commendable.
On DreamWorks, Kwan Jinpeng's directorial debut "Woman's Heart" happened to be released for three days with "Why Have Me" and won a box office of 9.48 million in 18 days of screening.
The most funny thing is that "The Heart of Dragon" starring Sammo Hung and Jackie Chan also came to intervene.
Fortunately, "The Heart of Dragon" was released in mid-October. At that time, "Why Have Me" had already been released, and "The Heart of Women" was about to end, so there was no fight and flesh and blood flying.
Sammo Hung and Jackie Chan are worthy of the box office guarantee of Jiahe. Even if "The Heart of Dragon" was released in October, the box office earned 20.33 million.
Regarding the rare October box office battle, a report on "Ming Zhou" talked about this: ...The Hong Kong film market is booming, and the box office in other places far exceeds Hong Kong's local income.Some people in Southeast Asia, Taiwan, South Korea and other places are willing to invest in Hong Kong films to make greater profits, but because the three major theaters dominate the Hong Kong film industry, foreign capital has never been able to obtain the golden period of theaters and starring popular movie stars.
In view of this, Mr. Chen Rongmei and Mr. Feng Bingzhong decided to form another Xinbao, which is independent of the three major theaters, and specialize in serving as the "intermediaries" of foreign capital and Hong Kong independent production companies. Everyone started the show together. The films produced can not only be released on Xinbao theaters, but foreign investment can also bring back the local market to continue to make profits.
This decision obviously kicked off the extreme prosperity of Hong Kong's film industry. In just over two months, the production volume of Hong Kong films increased by one-third in the same period last year, and the numerous popular movie stars have also become the targets of all parties.
It is reported that Chow Yun-fat has received 5 film contracts at the same time, Alan Tam has received 3 film contracts, Cheng Yuling has received 3 film contracts, and Cherie Chung has invited 9 crews at the same time, and in the end she only took on 2 films.
Andy Lau, the TVB leader, was even more hidden by TVB because he took on too many movies.
The popularity of popular movies is just a reflection of the extreme prosperity of Hong Kong films, and what is more intuitive is the explosive growth of the number of films released in October.Art films like "Why Have Me" and "Woman's Heart" are selling well at the same time, which further marks the maturity of the Hong Kong film market...
The large amount of funds from South Korea, Taiwan and Southeast Asia have poured into the Hong Kong film industry, and the impact has not only been expressed in the news.
With more investment in movies, more film companies will become more and more film practitioners will become more. In the two months from August to October, the number of film practitioners in Hong Kong increased by hundreds.
When DreamWorks suffered the greatest impact, due to the increase in the number of movies released during the same period, the audience's choice became larger, and the screening cycle of ordinary movies at DreamWorks was shortened.
Originally, a movie with a pretty good attendance rate basically had to be screened for about three weeks, but now it has been made to be released for only two or two and a half weeks.
In this way, it becomes a bit difficult to sell DreamWorks' films to Oriental Cinemas.
With about 15 films produced each year, 6 to 10 movies must be purchased from outside to meet the screening needs of Oriental Theater.
Kang Jianfei gathered all the senior executives of DreamWorks to discuss it, and finally decided to keep the existing production volume unchanged, producing 14 to 16 movies each year.
If the increase is even greater, it will be a little too difficult to take care of. Not only will the quality be guaranteed, but it will also increase investment risks and capital turnover will become more difficult.
Oriental Theater Company lacks film sources, so it is just like going out to purchase. Anyway, independent film companies are now flooding, and I don’t know how many movies are waiting to find a place to be released every month.
Although Oriental Cinemas has been defined as a left-wing theater chain in Taiwan, there will always be companies that would rather give up the Taiwanese market in order to release the film smoothly than cooperate with Oriental Cinemas. After all, with the increase of film companies, the schedules of Xinbao and Jin Princess Cinemas will be full.
In terms of company management, after Zeng Zhiwei changed jobs, Chen Xunqi naturally promoted to the position of film production department manager, and his film studio immediately announced its dissolution.
Liu Zhenwei and Wong Kar-wai, who helped Chen Xunqi's film studio, joined the production department as a planner, while the latter joined the screenwriter department as a full-time screenwriter.
Qiu Gangjian, the screenwriter of "Woman's Heart", is really a talent in planning and screenwriter. For example, Xu Anhua's previous "Fighting to the Sea of Rage" was the script he wrote.
In another time and space, movies such as "Ruan Lingyu", "Rouge Button", "Underground Love" that have not appeared yet are also written by Qiu Gangjian, and some of them are also responsible for the role of planning and deputy director.
However, Qiu Gangjian's shortcomings are also obvious, that is, this person can only plan and write literary and artistic films, and his ability to control commercial elements is very weak. Qiu Gangjian has been in the Taiwanese film industry before joining Century Pictures.
Kang Jianfei gave Qiu Gangjian a special position, asking him to assist Yu Kanping, who was responsible for planning and writing art films. Not long after, he threw Wong Kar-wai over.
The lighting group will pay attention to changes later.
Wait for the following machine No. 3 to follow up, and the fourth machine is backed up, and see my gestures.
Rongzi, when you fly, you have to panic, but don’t show too much fear…
"A Chinese Ghost Story" 11th, 4th Frame, 5th Shot, Akesh!
rise!
The staff roared silently, Ning Caichen, a scholar played by Leslie Cheung, hung up with a steel wire, and Xiaoqing, a female ghost played by Lu Xiuling, also chased after Weiya.
A camera moved with Lu Xiuling. At this time, Yàn Chixia, played by Huang Xia, suddenly flew over from the other side and slashed at Lu Xiuling with a sword.
Click!This one has passed!
The sweaty yellow shrimp was put down from the air. I just NG this one five times, and now I have taken pictures of it and feel much more relaxed.
Compared with the original time and space drama, this version of "A Chinese Ghost Story" directed by Kang Jianfei has been greatly changed in the special effects and the deleted intimate scenes between the male and female protagonists and the nude scenes of Joey Wong, the actors have basically changed one after another.
In the original work, Yàn Chixia was starred by Wu Ma, but now Kang Jianfei is unable to find Wu Ma to be the second male lead in filming "A Chinese Ghost Story". Not only does he not want to help the Hong family class train movie stars, but also because Wu Ma can't invite him at all because he has no schedule.
Wu Ma is a top figure in the Hong family class. She can not only act, fight, but also direct. A few years ago, she personally directed and made a movie about Baohe working.
In addition, the same is true for Lin Zhengying. In recent years, she has become the core of the Hong family class. Basically, all the movies of Sammo Hung are Lin Zhengying doing action design.
Kang Jianfei couldn't dig these two people, and even if they were dug, there was no suitable position for them. Except for Kang Jianfei kicking the old man from the Kang family class away to make a seat, what would the other old employees of the Kang family class think if that was done?
Moreover, Wu Ma, Lin Zhengying and Kang Family Class have different movement styles.
Since the establishment of the Kang family class several years ago, under the guidance of Kang Jianfei, it has formed its own martial arts style, which is to tend to be beautiful and elegant in movements.
The Hong family is different. In many cases, the fight scenes come from hard bridges and hard horses.
The most popular people in Hong Kong are the Hong family class and the Cheng family class. When Sammo Hung and Jackie Chan made movies, the two martial arts teams were competing with each other. They were not comparing who could win the action design award at the Academy Awards, but who was injured by a movie.
If no one goes to the hospital after filming a movie, it is abnormal. Now the hospital will leave seven beds for the Hong Family Class and the Cheng Family Class at any time.
In addition to the actors of Yàn Chixia and the female ghost Xiaoqing, the actor of Huai Shu Grandma has also become an old actor Zeng Jiang, and the angry Xiahou Swordsman is starring Jet Li's friend and national martial arts champion Ghost Foot Seven and Xiong Xinxin.
Of course, the county magistrate of Guobei County is still guest starring Wang Jing and Fatty.
November is approaching. The third season of "The Voice of China" is about to be aired. "Shushan" has also gone to Japan to participate in the Tokyo Film Festival, and it is almost time to add a few new trophys.
In October just past, Xinbao Theater, which has only been established for two months, has started to release new movies every day.
Most of these movies were invested by Nanyang and Taiwan, and were shot by independent directors in Hong Kong, and finally screened at Xinbao Cinema.
In order to attract audiences to the cinema, most of these foreign-funded Hong Kong films chose to invite popular Hong Kong actors to be the protagonists. Artists under Oriental Entertainment Agency became gunmen again. Chow Yun-fat received 6 film appointments around August and September, and the schedule was scheduled to be until the Spring Festival.
These foreign-funded Hong Kong films do not expect to be released in the Hong Kong summer season. Their investors only want the film to make it famous in Hong Kong.
It is best to perform relatively well in the off-season movies, and then sell them in Nanyang and Taiwan. Overseas box office is the big one.
As overseas funds poured into the Hong Kong film industry, in October alone, the number of Hong Kong movies released reached as many as 14, which to a certain extent had an impact on the films released by DreamWorks at the same time.
However, this has not had much impact on DreamWorks, Jiahe and Xinyi City. Yindu institutions and some small companies have been a little miserable, and the average box office of the film has dropped significantly.
Due to the establishment of Xinbao Cinema, competition among major companies has become extremely fierce, and the director's flow has also become very frequent.
In addition to Deng Guangrong's Darong Film Company, which was under Jiahe, who went to cooperate with Xinbao, Yuan Heping's Peace Film Company, along with the entire Yuan Family Group, changed jobs to Xinyi City and became the Golden Princess Satellite Company affiliated with Xinyi City.
DreamWorks Wu and others left, but several new powerful characters have also been promoted. "Woman's Heart" invested by new director Stanley Kwan was also released in October.
This matter is a long story. The director of "Woman's Heart" Kwan Jinpeng and screenwriter Qiu Gangjian were originally employees of Shaw Pictures.
"Woman's Heart" was written and prepared to film when they were at Shaw Brothers. As a result, before the preliminary preparations were completed, Shaw Brothers suddenly announced that it had stopped production.
The two of them ran to many companies with scripts. Since "Woman's Heart" is a complete art film, no company is willing to invest in DreamWorks. At that time, Eric Tsang was still the manager of the TV production department, and he was shot directly after seeing the script.
Before Century Pictures reorganized the Five Continents Century, Qiu Gangjian was the creative department manager of Century Pictures. Century Pictures' films ranked among the top ten in the annual box office list of Hong Kong films were all created by this person. They are definitely top talents in film planning and screenwriter.
After Liu Zhenwei joined DreamWorks a few months ago, Qiu Gangjian found him for help.
The two used to be the general manager of Century Pictures and the other was the creative department manager of Century Pictures. They had a very happy time in business, so Liu Zhenwei immediately went to Tang Shuxuan with the report of "Woman's Heart".
Tang Shuxuan was born in a literary film. After reading the script, she had an interview with Qiu Gangjian and Guan Jinpeng, and finally decided to allocate money to director "Woman's Heart".
October was the off-season for Hong Kong's box office, but this year's competition is particularly fierce. Not only are there many movies released, but the quality is also very good, and it is simply a big jump to the audience.
The sluggish layoffs in Xinyi City some time ago have caused some people to lose their jobs, and also created opportunities for others.
Zheng Zeshi, who switched to Xinyi City, seized the opportunity. After establishing a good relationship with Wong Pai-ming, he finally had the opportunity to be promoted to director and directed and starred in this film "Why have me" that focuses on mentally retarded people.
In the original time and space, "Why Have Me" was a guest star in Chow Yun-fat, but here it was replaced by Wong Pao-ming himself. After it was released, he made a lot of tears and won 7.06 million in two weeks. This is the result of box office off-season competing for box office with more than ten movies. Its data is very commendable.
On DreamWorks, Kwan Jinpeng's directorial debut "Woman's Heart" happened to be released for three days with "Why Have Me" and won a box office of 9.48 million in 18 days of screening.
The most funny thing is that "The Heart of Dragon" starring Sammo Hung and Jackie Chan also came to intervene.
Fortunately, "The Heart of Dragon" was released in mid-October. At that time, "Why Have Me" had already been released, and "The Heart of Women" was about to end, so there was no fight and flesh and blood flying.
Sammo Hung and Jackie Chan are worthy of the box office guarantee of Jiahe. Even if "The Heart of Dragon" was released in October, the box office earned 20.33 million.
Regarding the rare October box office battle, a report on "Ming Zhou" talked about this: ...The Hong Kong film market is booming, and the box office in other places far exceeds Hong Kong's local income.Some people in Southeast Asia, Taiwan, South Korea and other places are willing to invest in Hong Kong films to make greater profits, but because the three major theaters dominate the Hong Kong film industry, foreign capital has never been able to obtain the golden period of theaters and starring popular movie stars.
In view of this, Mr. Chen Rongmei and Mr. Feng Bingzhong decided to form another Xinbao, which is independent of the three major theaters, and specialize in serving as the "intermediaries" of foreign capital and Hong Kong independent production companies. Everyone started the show together. The films produced can not only be released on Xinbao theaters, but foreign investment can also bring back the local market to continue to make profits.
This decision obviously kicked off the extreme prosperity of Hong Kong's film industry. In just over two months, the production volume of Hong Kong films increased by one-third in the same period last year, and the numerous popular movie stars have also become the targets of all parties.
It is reported that Chow Yun-fat has received 5 film contracts at the same time, Alan Tam has received 3 film contracts, Cheng Yuling has received 3 film contracts, and Cherie Chung has invited 9 crews at the same time, and in the end she only took on 2 films.
Andy Lau, the TVB leader, was even more hidden by TVB because he took on too many movies.
The popularity of popular movies is just a reflection of the extreme prosperity of Hong Kong films, and what is more intuitive is the explosive growth of the number of films released in October.Art films like "Why Have Me" and "Woman's Heart" are selling well at the same time, which further marks the maturity of the Hong Kong film market...
The large amount of funds from South Korea, Taiwan and Southeast Asia have poured into the Hong Kong film industry, and the impact has not only been expressed in the news.
With more investment in movies, more film companies will become more and more film practitioners will become more. In the two months from August to October, the number of film practitioners in Hong Kong increased by hundreds.
When DreamWorks suffered the greatest impact, due to the increase in the number of movies released during the same period, the audience's choice became larger, and the screening cycle of ordinary movies at DreamWorks was shortened.
Originally, a movie with a pretty good attendance rate basically had to be screened for about three weeks, but now it has been made to be released for only two or two and a half weeks.
In this way, it becomes a bit difficult to sell DreamWorks' films to Oriental Cinemas.
With about 15 films produced each year, 6 to 10 movies must be purchased from outside to meet the screening needs of Oriental Theater.
Kang Jianfei gathered all the senior executives of DreamWorks to discuss it, and finally decided to keep the existing production volume unchanged, producing 14 to 16 movies each year.
If the increase is even greater, it will be a little too difficult to take care of. Not only will the quality be guaranteed, but it will also increase investment risks and capital turnover will become more difficult.
Oriental Theater Company lacks film sources, so it is just like going out to purchase. Anyway, independent film companies are now flooding, and I don’t know how many movies are waiting to find a place to be released every month.
Although Oriental Cinemas has been defined as a left-wing theater chain in Taiwan, there will always be companies that would rather give up the Taiwanese market in order to release the film smoothly than cooperate with Oriental Cinemas. After all, with the increase of film companies, the schedules of Xinbao and Jin Princess Cinemas will be full.
In terms of company management, after Zeng Zhiwei changed jobs, Chen Xunqi naturally promoted to the position of film production department manager, and his film studio immediately announced its dissolution.
Liu Zhenwei and Wong Kar-wai, who helped Chen Xunqi's film studio, joined the production department as a planner, while the latter joined the screenwriter department as a full-time screenwriter.
Qiu Gangjian, the screenwriter of "Woman's Heart", is really a talent in planning and screenwriter. For example, Xu Anhua's previous "Fighting to the Sea of Rage" was the script he wrote.
In another time and space, movies such as "Ruan Lingyu", "Rouge Button", "Underground Love" that have not appeared yet are also written by Qiu Gangjian, and some of them are also responsible for the role of planning and deputy director.
However, Qiu Gangjian's shortcomings are also obvious, that is, this person can only plan and write literary and artistic films, and his ability to control commercial elements is very weak. Qiu Gangjian has been in the Taiwanese film industry before joining Century Pictures.
Kang Jianfei gave Qiu Gangjian a special position, asking him to assist Yu Kanping, who was responsible for planning and writing art films. Not long after, he threw Wong Kar-wai over.
![[Incestuous Novels] Qin Qing’s happy life - Harem, hunting for beauty, cool writing](/templates/nvshen/themes/img/thumb_1.png)