In early August, the Miss Oriental beauty pageant was not held yet, and the "Swordsman: The Oriental Unbeaten" starring Brigitte Lin happened to be released.
The first part of "The Smiling, Proud Wanderer" produced by Tsui Hark and directed by Hu Jinquan has a good reputation, but its box office revenue is not ranked among the hottest. The box office of more than 10 million yuan can only be considered the top in the second-tier.
When Tsui Hark personally directed and starred in Brigitte Lin's comeback, "The Smiling and Proud Wanderer" was released, it suddenly ignited the box office, which could almost be said to be a sweeping summer season.
Before the release of "The Smiling, Proud Wanderer: The Invincible in the East", the most popular movie in Hong Kong was the disaster relief film "The Night Banquet of the Rich Family". The box office revenue of over 20 million is rare. After all, this movie only took a few days to shoot.
In addition, the most popular one is "The Lame" filmed by Madon Xiong for Jiahe.
Because the movie is adapted from real characters, and the protagonist prototype Wu Xihao has just passed away, coupled with the wonderful artistic creations of the director and actors, "Lamehao" won the box office championship at the end of June and early July as a third-level film.
The success of "The Lame" has caused a craze for adapting real gangster films, but this type of film is too sensitive because the influence of the protagonist of the prototype is still there, and very few people who dare to shoot it.
The reason why Madon Xiong dared to help Jiahe film "Cuhao" is because Chuhao himself is dead, and the gang Yi group where Chuhao was located at that time has declined from a large club that can challenge Xin Yian and 14K to a small gang with only a thousand people left.
But the Xiang brothers didn't care about that. After seeing "The Lame" sold money, Xiang Huaqiang directly asked Andy Lau to film "Five hundred million Inspector Lei Luo". The prototype of the character Lu Leke lives well and is still related to the Xiang brothers.
After "The Lame" is the opening movie for the summer season. The sequel of "Cousin, You Are Good" produced by Jiahe, "A Chinese Ghost Story 3" produced by DreamWorks and the last movie "Prison Storm 2" of Vientiane Film reorganized by Yonggao Company was released one after another, and there was also a "High-Room Banquet" between them.
The final box office result was: "Cousin, You Are Good 2" ranked first with 25.09 million, "Prison Storm 2" ranked second with 24.36 million, "A Chinese Ghost Story 3" ranked third with 15.01 million, and DreamWorks lost first.
The release of "The Smiling, Proud Wanderer: The Oriental Invincible" just made a comeback for DreamWorks and killed all other films released at the same time.
Brigitte Lin has faded out of the film industry for many years. When the news of her comeback just spread, many people thought she was outdated, but her performance in "The Smiling, Proud Wanderer: The Oriental Unbeaten" shocked countless eyes.
"Movie Biweekly" praised Brigitte Lin for playing Dongfang Bubai, who turned the male and female, and charmed all living beings. She also called "The Smiling, Proud Wanderer 2 Dongfang Bubai" a masterpiece in the history of martial arts films.
The comments of "New News" also praised Brigitte Lin for her unparalleled beauty, completely subverting the audience's inherent impression of the Oriental Indefair.
Stills of Lin Qingxia's Oriental Unbeaten appeared in various newspapers and magazines, and the Tiantian Daily, owned by Kang Jianfei, directly flattered, saying that Lin Qingxia's comeback is the return of the king.
Other publications completely distorted the tune, saying that Tsui Hark was sensational and used Oriental’s unbeaten men and women to create gimmicks, and even satirized Brigitte Lin’s old aunt to pretend to be young.
At this moment, the original author of the novel, Jin Yong, suddenly accepted an interview, saying that Tsui Hark's adaptation was difficult for him to accept, and the role of Dongfang Bubai, played by Brigitte Lin, even ruined his views.
The right-wing media seemed to have received spiritual help and kept citing Jin Yong's interviews to criticize "The Smiling, Proud Wanderer 2 Oriental Unbeaten" for being badly filmed, because even the original author could not stand it.
Other media that praised "The Swordsman 2" have criticized the other party's fallacies, saying that Tsui Hark's "The Swordsman" and "The Swordsman" have made new ideas.
The media's extensive coverage further added to the popularity of "The Smiling and Proud Wanderer 2". In just half a month, the box office of the movie exceeded 25 million.
Speaking of which, this year's Hong Kong films are unprecedentedly prosperous. Not only are the overseas markets sold hotly, but the box office in the local area is astonishingly high.
Half of the summer season has passed. There are 4 Hong Kong movies with a box office of over 30 million this year, and 7 Hong Kong movies with a box office of over 20 million, which is more than doubled last year.
"The Smiling, Proud Wanderer 2" is not the ace played by DreamWorks in the summer. The real trump card is "The False School Veyron" which is ranked behind. The movie is starring Stephen Chow and Zhang Min, and is directed by Chen Jiashang, who joined DreamWorks three years ago.
Just when "The Smiling, Proud Wanderer 2" was popular, a 16-person mainland writer exchange group came to Hong Kong. The two-place writers and writers exchange meeting was officially held, led by the Hong Kong Branch of Xinhua News Agency and sponsored by Oriental Publishing House.
After arriving in Hong Kong, the mainland writers' group did not stay in a hotel and were directly taken to the dormitory building of Tseung Kwan O Film and Television City.
Perhaps considering the communication issues, the members of the Ministry of Culture organized a communication to Hong Kong this time, and the elderly men did not come. All of them were young writers, such as Jia Pingwa, Zhang Kangkang, Liang Xiaosheng, Wang Xiaobo, Mo Yan, Tie Ning, Wang Anyi, Shi Tiesheng, etc.
At around seven o'clock in the morning, the young writers got up one after another, washed up and prepared to go downstairs to have some breath.
However, before they could walk out of the apartment building, the team leader sent by the Ministry of Culture shouted: Don’t go around, the exchange meeting at 9 a.m. is lost and I can’t find anyone.
When the leader greeted him, everyone could only follow the arrangements and gathered at the gate of the first floor to chat.
From time to time, actors who worked as workers walked past the door, looked at the group of people curiously, and then walked by in a hurry.
Hong Kong people are very fast, and they seem to be racing against time when walking.Shi Tiesheng, who was sitting in a wheelchair, said.
Tie Ning said: I went to Shenzhen last month, and the rhythm there was about the same, time is money.
Wang Xiaobo took out a bag, and the gay man took out the roots and went to most of the bag. He squatted on the steps and said to the team leader: Lao Miao, why don’t we go to the conference room to sit here? It looks like a beggar who is entering the city in the countryside.
Lao Miao thought about it, so he said to the young writers: Wait a minute, I asked if the door of the conference room was open, and if it was not opened, I would also wait there.
Shi Tiesheng asked: Xiaobo, which writers do you think will come to Hong Kong today?
Wang Xiaobo shook his head and said: I don’t know, I only know about Hong Kong writers Jin Yong, Liang Yusheng and Ni Kuang.
Liang Xiaosheng said: It would be great that Mr. Jin Yong could come. I was particularly obsessed with his martial arts novels for a while.
Jia Pingwa smoked in his trouser pocket with one hand and turned to ask Mo Yan beside him: Old Manager, I heard you know Mr. Kang, Hong Kong?
I have seen him from afar, and he has an investment in "Red Sorghum".Mo Yan didn't say much, and after he finished speaking, he lowered his head and smoked.
Jia Pingwa said: I have read his "Looking for Qin". It's so pornographic that I can go to jail even if I put it in the mainland.
Mo Yan pointed at Wang Xiaobo: His is also ugly, didn’t he go to jail?
Wang Xiaobo smiled and said: "The Legend of Qin" looks boring, and Mr. Kang's "The Grave Robbers' Chronicles" is very good.
A group of writers were chatting nonsense, and soon the team leader Lao Miao came back and took the team to the conference room of the writers' exchange meeting.
When he walked downstairs of the administrative building No. 2, Wang Anyi suddenly shouted: Look, Chow Yun-fat!
Everyone turned their heads and looked at it, and they surely saw Chow Yun-fat coming out of the building."Shanghai Bund" is so famous in mainland China that it is difficult for these writers to know whether they want to.
Tie Ning asked curiously: Are there so many stars here?
The team leader Lao Miao had already done his homework and explained: This is the largest film and television base in Hong Kong, and Chow Yun-fat is also an actor in Mr. Kang's company.
Jia Pingwa sighed: I heard that Mr. Kang started his career in writing books, and it is really amazing to be able to write books to this point.
The group of writers came to the conference room for more than ten minutes before waiting for the arrival of the first Hong Kong writer.
Wen Rui'an is the editorial director of Dongshi Production Company. The conference room of the writers' exchange meeting is only one floor away from where he usually works. When he arrived, he was following two followers.
The two followers were holding big bundles of books in their arms, and they were all Wen Rui'an's "The Legend of the Condor Heroes".
Hello, hello, I am Wen Rui'an.Wen Rui'an walked in and shook hands with mainland writers one by one, and each handed out a copy of his representative work "The Legend of the Condor Heroes".
Although "The Legend of the Condor Heroes" is a martial arts novel, it does not lack literary and ideological nature. It is the most artistically valuable book among Wen Ruian's works.
Anyway, it was still early before the meeting time, so several mainland writers who received the book simply looked like they were passing the time on the spot, but they were fascinated by it.
I heard that Wen Ruian is a screenwriter of a TV company. Several mainland writers who serve as screenwriters talked about the Hong Kong screenwriter industry. Wen Ruian also taught his screenwriter experience without any hiding.
Wen Rui'an is a Malaysian native and has been in Taiwan for a few years. Mandarin is his native language, and there is no communication barrier when talking to mainland writers.
Lao Miao, the leader of the Ministry of Culture, was overjoyed. Before the meeting was held, everyone was already busy chatting and didn’t have to worry about communication issues at all.
Afterwards, Hong Kong writers such as Xixi, Ye Si, Ye Hui, Li Bihua, Zhang Xiaoxian, and Huang Yi were present one after another. Although Jin Yong did not come, Dong Qiao, the editor-in-chief of Ming Pao and the famous writer, came.
Kang Jianfei did not spend much experience in the exchange meeting between writers in the two places, but Oriental Publishing House took a lot of effort.
Like Xixi and Yes, they were representative figures in the Hong Kong literary world in the 1960s, and Dong Qiao was very famous in Hong Kong, Taiwan, Southeast Asia. It was not easy to invite them to a meeting.
Kang Jianfei probably showed up more than ten minutes in advance, and everyone also handed over a copy of "Grave Robbers' Chronicles".
"The Chronicles of the Grave Robbers" ended in the newspaper two months before the serialization. Oriental Publishing House immediately sorted out and published it, and now it has sold more than 500,000 copies.
As for the exchange meetings, after half an hour of serious discussion, everyone started chatting nonsense.
All of us are famous writers. You can explain it clearly with just a few words about exchanging writing experiences. Having some insights is the greatest gain.
After the meeting, it was just about eating, drinking and having fun. Kang Jianfei specially sent people to take mainland writers to visit and shop everywhere in Hong Kong, trying to make them have fun.
This group of people are the most influential writers in the mainland in the next ten years. If they leave a good impression of Kang Jianfei and the Oriental Group, they will inevitably be expressed in their works, which is a good opportunity to improve the group's reputation.
Originally, Wang Shuo was on the list of exchange meetings, but the guy thought the exchange meeting was too boring, so he directly rejected the invitation from the Ministry of Culture.
Just as mainland writers were eating, drinking and having fun in Hong Kong, Oriental Publishing House was not idle at all, and organized people to study all the works of these writers. The final conclusion was that the literary works of Wang Xiaobo and Shi Tiesheng are the most valuable in the Hong Kong market.
As for Wang Anyi, who is known as the successor of the Shanghai-style writer, she now mainly creates scar literature and root-seeking literature. The famous Shanghai-style masterpiece "The Song of Everlasting Sorrow" has not yet been published.
In the envious eyes of others, Wang Xiaobo and Shi Tiesheng signed a contract with Oriental Publishing House before leaving, and sold the paper copyright of all their previous works (only Hong Kong region) to Oriental Publishing House, and Oriental Publishing House was responsible for packaging and promotion of them.
Wang Xiaobo and Shi Tiesheng came to Hong Kong for a trip, and their net worth increased by 200,000 to 300,000 when they returned. This was a huge sum of money in mainland China in the early 1990s.
On the first day of the mainland writers' group leaving, it was the day of the Miss Oriental beauty pageant.
At the warm invitation of Kang Jianfei, more than a dozen mainland writers and officials from the Ministry of Culture came to the beauty pageant to watch the grand occasion.
The mainland studied in Hong Kong a few years ago and held a beauty pageant, which caused a sensation at that time, but due to public opinion and market reasons, the beauty pageant industry has never been built.
The Taiping Theater with more than 2,000 people was full of seats, and the beauty pageants on the stage were exchanged like a carousel.
Until the swimsuit session, writers from mainland China, both men and women, looked at the stage intently. This scene is rare in mainland China.
It is open abroad. Wearing such an exposed swimsuit and walking around on the stage, I won’t be scolded to death when I put it in the mainland.A female writer whispered.
cough!Leadership official Lao Miao coughed and then focused on appreciating the beauty pageant, but he could only hear the writers' complaints.
As the general manager of Oriental Entertainment Brokerage Company, Zhang Guozhong will be present in person at the beauty pageant finals every year.At this time, he whispered to Kang Jianfei: That Deng Peixi is good, her face is very photogenic.
Kang Jianfei nodded: That's right, the best-looking player in this class belongs to her.
Zhang Guozhong heard Kang Jianfei's tone calmly, as if he was not very satisfied with Deng Peixi. He asked: Which one does Mr. Kang look forward to the most?
Kang Jianfei said: What do you think of Zhou Jialing?
Zhang Guozhong looked at Zhou Jialing carefully for a while and commented: He has a good appearance and temperament, and is highly educated and has a decent word and deeds.But although she is sexy, she has some problems with her face.
What's the problem?Kang Jianfei asked.
Zhang Guozhong said: Her face is too weird and not suitable for playing positive roles, but more suitable for playing negative characters such as killers and prostitutes.If you are strongly promoted, you can at most become a gold medal female supporting role or porn star, and there is little hope to become a big star who will become a popular star.
Regarding Zhou Jialing's acting experience in another time and space, Kang Jianfei smiled and said: Ah Zhong, your eyes have become golden eyes!
The first part of "The Smiling, Proud Wanderer" produced by Tsui Hark and directed by Hu Jinquan has a good reputation, but its box office revenue is not ranked among the hottest. The box office of more than 10 million yuan can only be considered the top in the second-tier.
When Tsui Hark personally directed and starred in Brigitte Lin's comeback, "The Smiling and Proud Wanderer" was released, it suddenly ignited the box office, which could almost be said to be a sweeping summer season.
Before the release of "The Smiling, Proud Wanderer: The Invincible in the East", the most popular movie in Hong Kong was the disaster relief film "The Night Banquet of the Rich Family". The box office revenue of over 20 million is rare. After all, this movie only took a few days to shoot.
In addition, the most popular one is "The Lame" filmed by Madon Xiong for Jiahe.
Because the movie is adapted from real characters, and the protagonist prototype Wu Xihao has just passed away, coupled with the wonderful artistic creations of the director and actors, "Lamehao" won the box office championship at the end of June and early July as a third-level film.
The success of "The Lame" has caused a craze for adapting real gangster films, but this type of film is too sensitive because the influence of the protagonist of the prototype is still there, and very few people who dare to shoot it.
The reason why Madon Xiong dared to help Jiahe film "Cuhao" is because Chuhao himself is dead, and the gang Yi group where Chuhao was located at that time has declined from a large club that can challenge Xin Yian and 14K to a small gang with only a thousand people left.
But the Xiang brothers didn't care about that. After seeing "The Lame" sold money, Xiang Huaqiang directly asked Andy Lau to film "Five hundred million Inspector Lei Luo". The prototype of the character Lu Leke lives well and is still related to the Xiang brothers.
After "The Lame" is the opening movie for the summer season. The sequel of "Cousin, You Are Good" produced by Jiahe, "A Chinese Ghost Story 3" produced by DreamWorks and the last movie "Prison Storm 2" of Vientiane Film reorganized by Yonggao Company was released one after another, and there was also a "High-Room Banquet" between them.
The final box office result was: "Cousin, You Are Good 2" ranked first with 25.09 million, "Prison Storm 2" ranked second with 24.36 million, "A Chinese Ghost Story 3" ranked third with 15.01 million, and DreamWorks lost first.
The release of "The Smiling, Proud Wanderer: The Oriental Invincible" just made a comeback for DreamWorks and killed all other films released at the same time.
Brigitte Lin has faded out of the film industry for many years. When the news of her comeback just spread, many people thought she was outdated, but her performance in "The Smiling, Proud Wanderer: The Oriental Unbeaten" shocked countless eyes.
"Movie Biweekly" praised Brigitte Lin for playing Dongfang Bubai, who turned the male and female, and charmed all living beings. She also called "The Smiling, Proud Wanderer 2 Dongfang Bubai" a masterpiece in the history of martial arts films.
The comments of "New News" also praised Brigitte Lin for her unparalleled beauty, completely subverting the audience's inherent impression of the Oriental Indefair.
Stills of Lin Qingxia's Oriental Unbeaten appeared in various newspapers and magazines, and the Tiantian Daily, owned by Kang Jianfei, directly flattered, saying that Lin Qingxia's comeback is the return of the king.
Other publications completely distorted the tune, saying that Tsui Hark was sensational and used Oriental’s unbeaten men and women to create gimmicks, and even satirized Brigitte Lin’s old aunt to pretend to be young.
At this moment, the original author of the novel, Jin Yong, suddenly accepted an interview, saying that Tsui Hark's adaptation was difficult for him to accept, and the role of Dongfang Bubai, played by Brigitte Lin, even ruined his views.
The right-wing media seemed to have received spiritual help and kept citing Jin Yong's interviews to criticize "The Smiling, Proud Wanderer 2 Oriental Unbeaten" for being badly filmed, because even the original author could not stand it.
Other media that praised "The Swordsman 2" have criticized the other party's fallacies, saying that Tsui Hark's "The Swordsman" and "The Swordsman" have made new ideas.
The media's extensive coverage further added to the popularity of "The Smiling and Proud Wanderer 2". In just half a month, the box office of the movie exceeded 25 million.
Speaking of which, this year's Hong Kong films are unprecedentedly prosperous. Not only are the overseas markets sold hotly, but the box office in the local area is astonishingly high.
Half of the summer season has passed. There are 4 Hong Kong movies with a box office of over 30 million this year, and 7 Hong Kong movies with a box office of over 20 million, which is more than doubled last year.
"The Smiling, Proud Wanderer 2" is not the ace played by DreamWorks in the summer. The real trump card is "The False School Veyron" which is ranked behind. The movie is starring Stephen Chow and Zhang Min, and is directed by Chen Jiashang, who joined DreamWorks three years ago.
Just when "The Smiling, Proud Wanderer 2" was popular, a 16-person mainland writer exchange group came to Hong Kong. The two-place writers and writers exchange meeting was officially held, led by the Hong Kong Branch of Xinhua News Agency and sponsored by Oriental Publishing House.
After arriving in Hong Kong, the mainland writers' group did not stay in a hotel and were directly taken to the dormitory building of Tseung Kwan O Film and Television City.
Perhaps considering the communication issues, the members of the Ministry of Culture organized a communication to Hong Kong this time, and the elderly men did not come. All of them were young writers, such as Jia Pingwa, Zhang Kangkang, Liang Xiaosheng, Wang Xiaobo, Mo Yan, Tie Ning, Wang Anyi, Shi Tiesheng, etc.
At around seven o'clock in the morning, the young writers got up one after another, washed up and prepared to go downstairs to have some breath.
However, before they could walk out of the apartment building, the team leader sent by the Ministry of Culture shouted: Don’t go around, the exchange meeting at 9 a.m. is lost and I can’t find anyone.
When the leader greeted him, everyone could only follow the arrangements and gathered at the gate of the first floor to chat.
From time to time, actors who worked as workers walked past the door, looked at the group of people curiously, and then walked by in a hurry.
Hong Kong people are very fast, and they seem to be racing against time when walking.Shi Tiesheng, who was sitting in a wheelchair, said.
Tie Ning said: I went to Shenzhen last month, and the rhythm there was about the same, time is money.
Wang Xiaobo took out a bag, and the gay man took out the roots and went to most of the bag. He squatted on the steps and said to the team leader: Lao Miao, why don’t we go to the conference room to sit here? It looks like a beggar who is entering the city in the countryside.
Lao Miao thought about it, so he said to the young writers: Wait a minute, I asked if the door of the conference room was open, and if it was not opened, I would also wait there.
Shi Tiesheng asked: Xiaobo, which writers do you think will come to Hong Kong today?
Wang Xiaobo shook his head and said: I don’t know, I only know about Hong Kong writers Jin Yong, Liang Yusheng and Ni Kuang.
Liang Xiaosheng said: It would be great that Mr. Jin Yong could come. I was particularly obsessed with his martial arts novels for a while.
Jia Pingwa smoked in his trouser pocket with one hand and turned to ask Mo Yan beside him: Old Manager, I heard you know Mr. Kang, Hong Kong?
I have seen him from afar, and he has an investment in "Red Sorghum".Mo Yan didn't say much, and after he finished speaking, he lowered his head and smoked.
Jia Pingwa said: I have read his "Looking for Qin". It's so pornographic that I can go to jail even if I put it in the mainland.
Mo Yan pointed at Wang Xiaobo: His is also ugly, didn’t he go to jail?
Wang Xiaobo smiled and said: "The Legend of Qin" looks boring, and Mr. Kang's "The Grave Robbers' Chronicles" is very good.
A group of writers were chatting nonsense, and soon the team leader Lao Miao came back and took the team to the conference room of the writers' exchange meeting.
When he walked downstairs of the administrative building No. 2, Wang Anyi suddenly shouted: Look, Chow Yun-fat!
Everyone turned their heads and looked at it, and they surely saw Chow Yun-fat coming out of the building."Shanghai Bund" is so famous in mainland China that it is difficult for these writers to know whether they want to.
Tie Ning asked curiously: Are there so many stars here?
The team leader Lao Miao had already done his homework and explained: This is the largest film and television base in Hong Kong, and Chow Yun-fat is also an actor in Mr. Kang's company.
Jia Pingwa sighed: I heard that Mr. Kang started his career in writing books, and it is really amazing to be able to write books to this point.
The group of writers came to the conference room for more than ten minutes before waiting for the arrival of the first Hong Kong writer.
Wen Rui'an is the editorial director of Dongshi Production Company. The conference room of the writers' exchange meeting is only one floor away from where he usually works. When he arrived, he was following two followers.
The two followers were holding big bundles of books in their arms, and they were all Wen Rui'an's "The Legend of the Condor Heroes".
Hello, hello, I am Wen Rui'an.Wen Rui'an walked in and shook hands with mainland writers one by one, and each handed out a copy of his representative work "The Legend of the Condor Heroes".
Although "The Legend of the Condor Heroes" is a martial arts novel, it does not lack literary and ideological nature. It is the most artistically valuable book among Wen Ruian's works.
Anyway, it was still early before the meeting time, so several mainland writers who received the book simply looked like they were passing the time on the spot, but they were fascinated by it.
I heard that Wen Ruian is a screenwriter of a TV company. Several mainland writers who serve as screenwriters talked about the Hong Kong screenwriter industry. Wen Ruian also taught his screenwriter experience without any hiding.
Wen Rui'an is a Malaysian native and has been in Taiwan for a few years. Mandarin is his native language, and there is no communication barrier when talking to mainland writers.
Lao Miao, the leader of the Ministry of Culture, was overjoyed. Before the meeting was held, everyone was already busy chatting and didn’t have to worry about communication issues at all.
Afterwards, Hong Kong writers such as Xixi, Ye Si, Ye Hui, Li Bihua, Zhang Xiaoxian, and Huang Yi were present one after another. Although Jin Yong did not come, Dong Qiao, the editor-in-chief of Ming Pao and the famous writer, came.
Kang Jianfei did not spend much experience in the exchange meeting between writers in the two places, but Oriental Publishing House took a lot of effort.
Like Xixi and Yes, they were representative figures in the Hong Kong literary world in the 1960s, and Dong Qiao was very famous in Hong Kong, Taiwan, Southeast Asia. It was not easy to invite them to a meeting.
Kang Jianfei probably showed up more than ten minutes in advance, and everyone also handed over a copy of "Grave Robbers' Chronicles".
"The Chronicles of the Grave Robbers" ended in the newspaper two months before the serialization. Oriental Publishing House immediately sorted out and published it, and now it has sold more than 500,000 copies.
As for the exchange meetings, after half an hour of serious discussion, everyone started chatting nonsense.
All of us are famous writers. You can explain it clearly with just a few words about exchanging writing experiences. Having some insights is the greatest gain.
After the meeting, it was just about eating, drinking and having fun. Kang Jianfei specially sent people to take mainland writers to visit and shop everywhere in Hong Kong, trying to make them have fun.
This group of people are the most influential writers in the mainland in the next ten years. If they leave a good impression of Kang Jianfei and the Oriental Group, they will inevitably be expressed in their works, which is a good opportunity to improve the group's reputation.
Originally, Wang Shuo was on the list of exchange meetings, but the guy thought the exchange meeting was too boring, so he directly rejected the invitation from the Ministry of Culture.
Just as mainland writers were eating, drinking and having fun in Hong Kong, Oriental Publishing House was not idle at all, and organized people to study all the works of these writers. The final conclusion was that the literary works of Wang Xiaobo and Shi Tiesheng are the most valuable in the Hong Kong market.
As for Wang Anyi, who is known as the successor of the Shanghai-style writer, she now mainly creates scar literature and root-seeking literature. The famous Shanghai-style masterpiece "The Song of Everlasting Sorrow" has not yet been published.
In the envious eyes of others, Wang Xiaobo and Shi Tiesheng signed a contract with Oriental Publishing House before leaving, and sold the paper copyright of all their previous works (only Hong Kong region) to Oriental Publishing House, and Oriental Publishing House was responsible for packaging and promotion of them.
Wang Xiaobo and Shi Tiesheng came to Hong Kong for a trip, and their net worth increased by 200,000 to 300,000 when they returned. This was a huge sum of money in mainland China in the early 1990s.
On the first day of the mainland writers' group leaving, it was the day of the Miss Oriental beauty pageant.
At the warm invitation of Kang Jianfei, more than a dozen mainland writers and officials from the Ministry of Culture came to the beauty pageant to watch the grand occasion.
The mainland studied in Hong Kong a few years ago and held a beauty pageant, which caused a sensation at that time, but due to public opinion and market reasons, the beauty pageant industry has never been built.
The Taiping Theater with more than 2,000 people was full of seats, and the beauty pageants on the stage were exchanged like a carousel.
Until the swimsuit session, writers from mainland China, both men and women, looked at the stage intently. This scene is rare in mainland China.
It is open abroad. Wearing such an exposed swimsuit and walking around on the stage, I won’t be scolded to death when I put it in the mainland.A female writer whispered.
cough!Leadership official Lao Miao coughed and then focused on appreciating the beauty pageant, but he could only hear the writers' complaints.
As the general manager of Oriental Entertainment Brokerage Company, Zhang Guozhong will be present in person at the beauty pageant finals every year.At this time, he whispered to Kang Jianfei: That Deng Peixi is good, her face is very photogenic.
Kang Jianfei nodded: That's right, the best-looking player in this class belongs to her.
Zhang Guozhong heard Kang Jianfei's tone calmly, as if he was not very satisfied with Deng Peixi. He asked: Which one does Mr. Kang look forward to the most?
Kang Jianfei said: What do you think of Zhou Jialing?
Zhang Guozhong looked at Zhou Jialing carefully for a while and commented: He has a good appearance and temperament, and is highly educated and has a decent word and deeds.But although she is sexy, she has some problems with her face.
What's the problem?Kang Jianfei asked.
Zhang Guozhong said: Her face is too weird and not suitable for playing positive roles, but more suitable for playing negative characters such as killers and prostitutes.If you are strongly promoted, you can at most become a gold medal female supporting role or porn star, and there is little hope to become a big star who will become a popular star.
Regarding Zhou Jialing's acting experience in another time and space, Kang Jianfei smiled and said: Ah Zhong, your eyes have become golden eyes!
![[Incestuous Novels] Qin Qing’s happy life - Harem, hunting for beauty, cool writing](/templates/nvshen/themes/img/thumb_1.png)