At dinner time, I came to Liu Xiaoli's villa, and Liu Yang, Zhai Ling and Zhang Yuxi were also with him!
Liu Xiaoli invited the young actors from the three companies to dinner, so they naturally couldn't help but give this face!
As for why Chen Hao came too, they were not nervous, but were a little excited!
After all, there are not many opportunities to have a private meal with the chairman like this!
After entering the living room, Liu Xiaoli asked the three women to be a little casual, but in front of Chen Hao, how could they be really casual!
The chef who cooks at night is a Sichuan cuisine chef. From time to time, you can hear the sound of cooking and frying. The aroma wafts over and makes people feel appetite suddenly!
Liu Yang took the initiative to find the topic and said: Chairman, can I really go to Hong Kong to make movies?
certainly.Chen Hao smiled and said: This is what I say.
Recently, has Hong Kong’s Longteng Film and Television invested in any good projects?Liu Yang was very eager to show!
Prepare to shoot a movie called "The Empire of Money".In fact, after filming "Chasing the Dragon", Wang Jing had conceptualized "The Empire of Money", and the script had already come out this year!
However, it was stuck by Florence Florence Florence Florence thought that this movie was even more similar to "Chasing the Dragon", so there was no need to invest in filming!
Money Empire?!Liu Yang looked at Chen Hao with a curious look: What kind of movie is it!
It is a Hong Kong hero film from the 1960s and 1970s, with the heroine being a gangster boss.The more Chen Hao looks at Liu Yang, the more he has the temperament of a female boss!
Female gangster boss?!Liu Yang's beautiful eyes lit up, thinking that this should be a character with a very story-oriented character, so I don't know how many scenes there are in the movie!
In fact, in Chen Hao's opinion, "The Empire of Money" is not actually a very valuable film!
If it weren't for the sudden meeting of Liu Yang today, I remembered the role of Rose played by the other party in the movie!
He doesn't plan to film "The Empire of Money" at all!
Even if it was really shot in the end, it was a investment brought by Wang Jing, and it had nothing to do with him!
But to be honest, Wang Jing’s films have really not many amazing ones after 2000!
Hong Kong films were in decline in the 1990s, and Wang Jing, who once used commercial films to shape half of the sky, was no longer charming.
In fact, since the rise of Xiang Huaqiang, Wang Jing's film style has been analyzed, and cheating and selling jokes account for the majority of the film.
In the eyes of outsiders, Wang Jing always actively embraces business.
There are still many signs of the influence of Hollywood blockbusters such as "The Trick Expert" and "The Variety Star Lord".
After all, Hollywood's cultural output at the end of the 20th century provided rich film materials for Hong Kong films, and Wang Jing's use of the art is pleasing and localized.
By drawing on the profits that Wang Jing and Xiang Huaqiang made, Wang Jing gradually became lazy and lazy in his creative thinking.
Wang Jing was born into a film family. As a professional screenwriter, Wang Jing may be more familiar with movie routines than everyone else.
My father was the master of film, Wang Tianlin. In addition to inheriting his father's business, he also learned the way of film and television business operations.
The brainless copying of hit movies and the over-reliance on classics have gradually brought visual fatigue to the audience.In the new century, the audience overturned Wang Jing’s business monetization model that he relied most.
The negative effects of replication have become increasingly apparent after the 21st century.The 5 million box office "The Chou Sheng" and the 3 million box office "The Future Police" are no longer the same as 15 years ago.
The shrinking box office may be due to the general environment.But to a certain extent, it also confirmed the deterioration of Wang Jing's ability to attract money.
The old model made Wang Jing lose both fame and fortune, and even was named the bad movie king by movie fans.
Entering the 21st century, Wang Jing, born in 1955, fell into a midlife crisis.The continued sluggish box office also gave him more determination to change.
In past genre films, Wang Jing mostly focuses on comedy films; joy and nonsense have become the biggest feature of his movies.
With this style, Wang Jing's works were so popular at the box office, but they could never escape the rut of assembly line production.
But in the eyes of industry insiders, Wang Jing's movies are more funny and lack depth.
Compared with Tsui Hark, he is not elegant enough, and he is not passionate enough than John Woo; compared with Stephen Chow, he is not absurd enough, and he is not romantic enough than Wong Kar-wai.
The overly popular aesthetic and the output of vulgar comedy also hindered him from entering the house. The audience's immunity to low-level comedy is increasing, and Wang Jing gradually lost his original market.
He and Liu Zhenwei are in trouble, and are also a witness to the arrival of Hong Kong comedy.
In fact, in Wang Jing's movies in the first decade of the 21st century, "Black and White Forest" stands out and becomes an alternative in Wang Jing's comedy movies.
"Black and White Forest" is a watershed between Wang Jing from comedy to tragedy, and it has changed Wang Jing's nonsense characteristics.
The movie tells the story of a destiny world wrapped in a gangster's vendetta.Although the style imitates "Infernal Affairs", the style is dark and sharp, which is very rare in Wang Jing's previous movies.
Perhaps inspired by Johnnie To and Liu Wei's tough core gang, Wang Jing did not build a dark forest until his destiny year.
After "Black and White Forest" cheered up Wang Jing's reputation, he moved to the other side of film creation.
The subsequent construction of the history of Hong Kong gang growth allowed Wang Jing to regain some reputation.
Six years later, "The Empire of Money" helped Wang Jing complete the transformation from comedy to serious style.
The film is set in Hong Kong's 1960s and examines the dark side of corruption in the Hong Kong police circle from the perspective of his father.
The police colluded with the underworld, and desires and power were intertwined, and Wang Jing outlined them with extremely realistic brushstrokes.
Because of the use of veteran actors such as Tony Leung and Anthony Wong as starring actors, the movie has given some serious weight.
In particular, Tony Leung made the exquisite and satisfying interpretation of Inspector Changle's arrogant and arrogant character.
Perhaps, without "The Empire of Money", there would be no "Chasing the Dragon", and without "Chasing the Dragon", there would be no Wang Jing now.In the transition from "The Empire of Money" to "Chasing the Dragon", "Big Shanghai" is indispensable.
If "The Empire of Money" gives Wang Jing a shield of realism, then "The Great Shanghai" gives him a spear of romanticism.
In 2012, "Big Shanghai" directed by him and starring Chow Yun-fat was released.
"Big Shanghai" shows the ups and downs of the world and life from the perspectives of middle-aged and young people of a generation of gangster heroes.The significance of paying tribute to "Shanghai Bund" is self-evident.
Chow Yun-fat returned to the Great Demon City 30 years later, which allowed the film to maintain its abundant aura.
The battle between top killers and the fight between the docks seem to be a memory of Mr. Zhang Che's violent aesthetics.
Wang Jing brewed a new style in "Big Shanghai".
Betrayal of the gang rules and the death of a hero were once the usual process of Zhang Che's movies. Returning to "The Greater Shanghai", Wang Jing's determination to not break or establish.
In the end, "Big Shanghai" received a box office of nearly 14.9 billion yuan and had a Douban score of 66, making it a relatively excellent film work for Wang Jing two thousand years later!
Liu Xiaoli invited the young actors from the three companies to dinner, so they naturally couldn't help but give this face!
As for why Chen Hao came too, they were not nervous, but were a little excited!
After all, there are not many opportunities to have a private meal with the chairman like this!
After entering the living room, Liu Xiaoli asked the three women to be a little casual, but in front of Chen Hao, how could they be really casual!
The chef who cooks at night is a Sichuan cuisine chef. From time to time, you can hear the sound of cooking and frying. The aroma wafts over and makes people feel appetite suddenly!
Liu Yang took the initiative to find the topic and said: Chairman, can I really go to Hong Kong to make movies?
certainly.Chen Hao smiled and said: This is what I say.
Recently, has Hong Kong’s Longteng Film and Television invested in any good projects?Liu Yang was very eager to show!
Prepare to shoot a movie called "The Empire of Money".In fact, after filming "Chasing the Dragon", Wang Jing had conceptualized "The Empire of Money", and the script had already come out this year!
However, it was stuck by Florence Florence Florence Florence thought that this movie was even more similar to "Chasing the Dragon", so there was no need to invest in filming!
Money Empire?!Liu Yang looked at Chen Hao with a curious look: What kind of movie is it!
It is a Hong Kong hero film from the 1960s and 1970s, with the heroine being a gangster boss.The more Chen Hao looks at Liu Yang, the more he has the temperament of a female boss!
Female gangster boss?!Liu Yang's beautiful eyes lit up, thinking that this should be a character with a very story-oriented character, so I don't know how many scenes there are in the movie!
In fact, in Chen Hao's opinion, "The Empire of Money" is not actually a very valuable film!
If it weren't for the sudden meeting of Liu Yang today, I remembered the role of Rose played by the other party in the movie!
He doesn't plan to film "The Empire of Money" at all!
Even if it was really shot in the end, it was a investment brought by Wang Jing, and it had nothing to do with him!
But to be honest, Wang Jing’s films have really not many amazing ones after 2000!
Hong Kong films were in decline in the 1990s, and Wang Jing, who once used commercial films to shape half of the sky, was no longer charming.
In fact, since the rise of Xiang Huaqiang, Wang Jing's film style has been analyzed, and cheating and selling jokes account for the majority of the film.
In the eyes of outsiders, Wang Jing always actively embraces business.
There are still many signs of the influence of Hollywood blockbusters such as "The Trick Expert" and "The Variety Star Lord".
After all, Hollywood's cultural output at the end of the 20th century provided rich film materials for Hong Kong films, and Wang Jing's use of the art is pleasing and localized.
By drawing on the profits that Wang Jing and Xiang Huaqiang made, Wang Jing gradually became lazy and lazy in his creative thinking.
Wang Jing was born into a film family. As a professional screenwriter, Wang Jing may be more familiar with movie routines than everyone else.
My father was the master of film, Wang Tianlin. In addition to inheriting his father's business, he also learned the way of film and television business operations.
The brainless copying of hit movies and the over-reliance on classics have gradually brought visual fatigue to the audience.In the new century, the audience overturned Wang Jing’s business monetization model that he relied most.
The negative effects of replication have become increasingly apparent after the 21st century.The 5 million box office "The Chou Sheng" and the 3 million box office "The Future Police" are no longer the same as 15 years ago.
The shrinking box office may be due to the general environment.But to a certain extent, it also confirmed the deterioration of Wang Jing's ability to attract money.
The old model made Wang Jing lose both fame and fortune, and even was named the bad movie king by movie fans.
Entering the 21st century, Wang Jing, born in 1955, fell into a midlife crisis.The continued sluggish box office also gave him more determination to change.
In past genre films, Wang Jing mostly focuses on comedy films; joy and nonsense have become the biggest feature of his movies.
With this style, Wang Jing's works were so popular at the box office, but they could never escape the rut of assembly line production.
But in the eyes of industry insiders, Wang Jing's movies are more funny and lack depth.
Compared with Tsui Hark, he is not elegant enough, and he is not passionate enough than John Woo; compared with Stephen Chow, he is not absurd enough, and he is not romantic enough than Wong Kar-wai.
The overly popular aesthetic and the output of vulgar comedy also hindered him from entering the house. The audience's immunity to low-level comedy is increasing, and Wang Jing gradually lost his original market.
He and Liu Zhenwei are in trouble, and are also a witness to the arrival of Hong Kong comedy.
In fact, in Wang Jing's movies in the first decade of the 21st century, "Black and White Forest" stands out and becomes an alternative in Wang Jing's comedy movies.
"Black and White Forest" is a watershed between Wang Jing from comedy to tragedy, and it has changed Wang Jing's nonsense characteristics.
The movie tells the story of a destiny world wrapped in a gangster's vendetta.Although the style imitates "Infernal Affairs", the style is dark and sharp, which is very rare in Wang Jing's previous movies.
Perhaps inspired by Johnnie To and Liu Wei's tough core gang, Wang Jing did not build a dark forest until his destiny year.
After "Black and White Forest" cheered up Wang Jing's reputation, he moved to the other side of film creation.
The subsequent construction of the history of Hong Kong gang growth allowed Wang Jing to regain some reputation.
Six years later, "The Empire of Money" helped Wang Jing complete the transformation from comedy to serious style.
The film is set in Hong Kong's 1960s and examines the dark side of corruption in the Hong Kong police circle from the perspective of his father.
The police colluded with the underworld, and desires and power were intertwined, and Wang Jing outlined them with extremely realistic brushstrokes.
Because of the use of veteran actors such as Tony Leung and Anthony Wong as starring actors, the movie has given some serious weight.
In particular, Tony Leung made the exquisite and satisfying interpretation of Inspector Changle's arrogant and arrogant character.
Perhaps, without "The Empire of Money", there would be no "Chasing the Dragon", and without "Chasing the Dragon", there would be no Wang Jing now.In the transition from "The Empire of Money" to "Chasing the Dragon", "Big Shanghai" is indispensable.
If "The Empire of Money" gives Wang Jing a shield of realism, then "The Great Shanghai" gives him a spear of romanticism.
In 2012, "Big Shanghai" directed by him and starring Chow Yun-fat was released.
"Big Shanghai" shows the ups and downs of the world and life from the perspectives of middle-aged and young people of a generation of gangster heroes.The significance of paying tribute to "Shanghai Bund" is self-evident.
Chow Yun-fat returned to the Great Demon City 30 years later, which allowed the film to maintain its abundant aura.
The battle between top killers and the fight between the docks seem to be a memory of Mr. Zhang Che's violent aesthetics.
Wang Jing brewed a new style in "Big Shanghai".
Betrayal of the gang rules and the death of a hero were once the usual process of Zhang Che's movies. Returning to "The Greater Shanghai", Wang Jing's determination to not break or establish.
In the end, "Big Shanghai" received a box office of nearly 14.9 billion yuan and had a Douban score of 66, making it a relatively excellent film work for Wang Jing two thousand years later!
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